365bet

Essay name: Scythian Elements in early Indian Art

Author: Swati Ray
Affiliation: University of Calcutta / Department of Ancient Indian History and Culture

This essay studies Scythian Elements in early Indian Art—a topic that has not garnered extensive scholarly attention. Although much research has focused on various aspects of Saka/Scythian culture, such as politics and numismatics, their contribution to Indian art remains underexplored. This essay delves into archaeological evidence, historical texts, and art forms from Eurasian steppes to decipher the Scythian impact.

Chapter 5 - Scythian (Saka) elements in the Early Art of India

Page:

40 (of 43)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Warning! Page nr. 40 has not been proofread.

199
A`
The Saka/Scythian elements are also discernible in Gandhāran art. A
Gandhāra panel shows men wearing the Scythian costume. Similarly, one of
the reliefs from Buner (Plate 189)¹ shows a series of musicians in Scythian
costume. The scale-armoured figure2 besides Pañcika-Kubera from Takal,
shows Scythian affiliation. Scale armoured figures have been frequently
depicted on friezes of utility objects, and on weapons in Scythian art. The neck
ornament of Pañcika-Kubera³ reflects nomadic affiliations. The Scythian
costume is also seen on reliefs of Sahri-Bahlol, Rokhri, Jamalgarhi, Ranighat,
Swat, Khair Khanch and at Hadda and Begram. It is noteworthy, that as found
from Timargarha and Gandhāra Grave cultures dated sixth century B.C.
onwards, the main anthropological element of the population could be linked to
those from the Caspian region. It is important to note that the image of a
hippocampus with a horseman as shown on a steatite toilet disk from
Garavkala in Tajikistan of first century A.D.4 has Indian parallels. The image
has also been found on Gandhāran reliefs, on stone tablets from Taxila, and
also on Han mirrors. The characteristic sculptures of Gandhära during the first
three or four centuries A.D. were produced in vast quantities for the Buddhists
and their monasteries. The figures of Bodhisattvas are noted for their
Dyn. Art. Kus., Pl. 58.
2 Ibid.,Pl. 62 a.
3 Ibid.,Pl. 62.
4 Drevnosti Tajikistana (Antiquities of Tajikistan), No. 364. pp. 138 - 9.

Let's grow together!

I humbly request your help to keep doing what I do best: provide the world with unbiased sources, definitions and images. Your donation direclty influences the quality and quantity of knowledge, wisdom and spiritual insight the world is exposed to.

Let's make the world a better place together!

Like what you read? Help to become even better: