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Cosmetics, Costumes and Ornaments in Ancient India

by Remadevi. O. | 2009 | 54,177 words

This page relates ‘Dress Making: Stitching or Sewing� of the study on cosmetics, costumes and ornaments of ancient India based on Sanskrit sources. Chapter one deals with cosmetics and methods of enhancing beauty; Chapter two deals with costumes, garments and dresses; Chapter three deals with ornaments for humans and animals. Each chapter deals with their respective materials, types, preparation and trade, as prevalent in ancient Indian society.

Go directly to: Footnotes.

3.2. Dress Making: Stitching or Sewing

We get evidence to the art of stitching from the description of certain types of garments and also from some terms related to sewing. Usually lower garments used no stitching, while some upper garments were tailored.

Nepathyaprayoga and ūīvanakarma are two among the sixty-four arts named in Śܰīپ as well as in 峾ūٰ[1]. Of these, Nepathyaprayoga is an art of adorning oneself with clothes and ornaments suiting the region and time, in order to enhance beauty[2]. ūīvanakarma[3] is stitching of clothes by means of needle. This art is of three kinds–Sīvana, Ūtana and Viracana. Of these, Sīvana is an art of stitching new clothes, while Ūtana is the sewing of torn off clothes. Tailoring of bed sheets and saddles are known as Viracana.

In Śܰīپ, stitching of clothes as well as saddles is stated as two separate arts.

There it is defined thus.�

[...].[4]

Knowledge of Vedic people in stitching is evident from the mention of certain stitched garments like Atka, Drāpi, ʱś etc. in ṻ岹. Similarly the process of stitching are often referred to. As in Samhitas we read of some instruments associated with sewing in 󳾲ṇa and ṛhⲹūٰ also[5]. Some of the instruments there mentioned are ūī (Needle)[6], Aṅguṣṭhāna (Thimbles)[7] and Satthaka (Scissors)[8]. In the post Vedic literature also we find reference to some tailored upper garments like ñܰ첹, Vārabāṇa, Ardhoruka etc. Instruments used for stitching also are incidentally mentioned there.

ī쾱-峾ⲹṇa informs us the society of tailors. In Kiṣkindākāṇḍa, there is a line referring to the city of tailors thus�

[...],[9]

Footnotes and references:

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[1]:

屹屹ṇa

[2]:

Ibid, pp.28, 29

[3]:

Ibid, pp.39, 40

[4]:

Ibid, p.40

[5]:

ṻ岹, I.95.7, IV.18.5, I.16.6, 10, IX.100.9; Atharvaveda, XIII.3.1, V.7.10

[6]:

ṻ岹, II.32.4; Atharvaveda,XI.10.3; Aitareya-󳾲ṇa, 3.18

[8]:

Ibid

[9]:

II.94.16,122,IV.32.7

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