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Even though many varieties of garments were in fashion, people had a special fondness towards thin as well as soft texture. Reference to such varieties is evidence to the highly developed craftsmanship of the period. We have ample references to light and soft garments. The ladies of 搁腻惫补峁嘺鈥檚 palace in 痴腻濒尘墨办颈-谤腻尘腻测补峁嘺^[1] are described as wearing thin clothes, which are as thin as to be blown away even by the breath of the ladies during sleep. In another context, 搁腻惫补峁嘺鈥檚 dress is also referred to as a light and extremely white. Its colour is there compared to that of foam of churned nectar. 碍腻濒颈诲腻蝉补^[2] mentions such clothes very often. The expression Ni艣v膩sah膩rya frequently occurs in his works.

叠腻峁嘺^[3] has alluded to thin and soft silk clothes in many contexts. In one place, he has depicted 贬补谤峁�a as wearing a good variety of silk, which is described as too thin as a snake鈥檚 slough. In another context, he has mentioned a cloth which is Spar艣膩numeya. From its literal meaning it is clear that its presence is inferable only through touch.