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Notices of Sanskrit Manuscripts

by Rajendralala Mitra | 1871 | 921,688 words

These pages represent a detailed description of Sanskrit manuscripts housed in various libraries and collections around the world. Each notice typically includes the physical characteristics, provenance, script, and sometimes even summaries of the content of the Sanskrit manuscripts. The collection helps preserve and make accessible the vast herit...

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76 vimalakhyavipropakhyanadih | 10, mukunda dvijopakhyanadih | 11, candaka - napitakhyanakathanadih | 12, visrantitirthamahatmanadih | 13, madhuvana- mahatmanadih | 14, vadarikasramavarnanam | 15, haridvaramahimavarnanam | 16, indraprasthamahatmaprakathanam | 17, prayagamahatmaprakathanam | 18, punarindraprastha- mahatma | No. 1477. daivajnabandhavah | Substance, country-made yellow paper, 11 x 44 inches. Folia, 18 Lines, 9-10-11 on a page. Extent, 492 slokas. Character, Nagara. Date, SK. 1768. Place of deposit, Calcutta, Government of India. Appearance, new. Verse. Generally correct. Daivajna-bandhava. A manual for the calculation of auspicious days for the performance of rites and ceremonies. The MS. is incomplete, and the author's name does not appear in it. Beginning. yasyasa vasanam gatisca vrsabhah khatvangasulam kare candrascaruvibhusanam varatanau yajnopavitam phani | End. visayah | durjeyastripuro jitasca madano yenandhako nirjito ganga murddhi stata ca punyatatini tasmai namah sambhave || (kha0 ) samayasuddhih | utpatammrtayogadikathanam | parvadinani | tithiprakaranam | sankrantikathanam | samvatsaragananadih | varsesadyayanadih | No. 1478. pancasvarah, vrttisahitah | Substance, country-made yellow paper, 11 x 42 inches. Folia, 12. Lines, 5-8-9-10 on a page. Extent, 316 slokas. Character, Nagara, Date, ? Place of deposit, Calcutta, Government of India. Appearance, new. Prose and verse. Generally correct. Panchasvara. A manual of divination with the first five vowels of the Sanskrit alphabet-partly Nomancy and partly Tephramancy. By Prajapati. Attached to the text is a commentary by Apya Dikshita.

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