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Vratas depicted in the Gangajala (study)

by Maitreyee Goswami | 2018 | 55,000 words

This page relates ‘study of the Vratas in the Gangajala (II)—Introduction� of the study dealing with the Vratas (vows) depicted in the Gangajala—a Smriti-Nibandha, i.e., a text belonging to the Kamarupa School of Dharma-shastra literature which deals with social topics, religious rites and local traditions. The term Vrata refers to ritual vows aimed at spiritual and moral purification. This essay explores its socio-religious implications reflecting medieval Assam.

Go directly to: Footnotes.

Part 1 - A study of the Vratas in the ҲṅgᲹ (II)—Introduction

[Full title: A study of the Vratas in the ҲṅgᲹ II with particular reference to the Vratas practised in 峾ū貹]

Researchers both orientalists and occidentalists find it difficult to assert an accurate date to the Vedas. In this regard, M. Winternitz’s view is worth mentioning. We hold that the probable date of the beginning of the Vedas is 2500-2000 B.C.E and the end of it is between 750-500 B.C.E.[1] The presant study has focused partly on the Post Vedic period. In this regard M. Krishnamachariar has stated that, the ūٰ literature may rightly be called the connecting link between the Vedic and Post Vedic i.e., Classical Sanskrit literature.[2] This ūٰ literature does not belong to Vedic literature as it is a kind of literature authored by human beings. It is therefore, ūٰ literature that consists of six ձṅg are said as the literature of Post-Vedic period. The 貹ūٰ, the second among the six ձṅg consists of four literatures viz., Śܳٲ, ṛhⲹ, Dharma and Śū. While the Śܳٲūٰs explain the minuite details of sacrifices revealed in the Vedas, the ṛhⲹ rituals deal with the rules and regulations of householder who had to follow there in their day to lives. ٳ󲹰ūٰ on the other hand, deal exclusively with the law and custom formulated by the authors of ٳ󲹰ūٰ or ٳ󲹰śٰ.[2] Thus a ⲹśٳٲ ūٰ (that deals with the atonement or expiatory rites), ś󲹰첹貹 (that deals with ancestral sacrifices) are nothing but the outcomes of the gṛhyaūٰ for better understanding.[3]

In later times, after the ūٰ period (till the 18th century CE) there is noticed a class of sacred literature under different heads-such as Prayoga, Paddhati, , ܻܳī, Tattva, Bhāsakara etc., under ṛtԾԻ class. Here it should be kept in mind that the ṛt are the base of ٲ, a literature and the ٲ school is a conglomeration of the regulations of the gṛhyaūٰs in association with the religious codes of Dh.sū. There are found some other complete works also such as ҲṅgᲹ and ūṇaԻ in the Kamarupa School of Dharmashastra dealing elaborately with the religious regulations of different rites, which are already discussed in the chapter I of the present work.

Regarding the practice of religious festivals in India, Henry C. Brook who was the first scholar to make an attempt on the date of the Veda in 1805 CE while he was writing seriously on the Hindu religious festivals in vogue in India during his stay in India,[4] may be referred to.

It is worthy to mention here that, Hindu religious festivals are being treated as indispensable parts of the Vratas.[5] In a broad sense the Vratas and other pertinent festivals owe their origin to the 貹ūٰs, but they are primarily associated with the gṛhyaūٰs followed by respective 貹śṣṭ of the concerned Vedas. The dharmaūٰs, the third branch of 貹ūٰs also play a vital role in the growth and development of the vratas and festivals (besides other aspects-the ṃs beginning from the conception of a child to its funeral rites). Therefore the two above aspects are domestic in nature and due to their close-proximity with the household affairs, they prove their association with the gṛhyaūٰs in a manner complementary to each other.

Now, focusing upon the Vratas dealt with in the ҲṅgᲹ, more precisely the ҲṅgᲹ II, it is obscrved that Damodara Misra has discussed about thirty five Vratas in equal number of sections in the first pariccheda of the same book called Vrataviveka, immediately after the completion of the deliberation on پٳ󾱱첹ṇa. In fact, the ʳܰṇa are the store houses of the Vratas and related festivals, a good number of which are still in practice throughout the length and breadth of our country.

The հٲś, although draws criticism from P.V. Kane, has recorded 1622 vratas.[6] In comparison to the Vratas of the above works Dāmodara Miśra has selected some vratas many of which have pan-Indian importance and only a few that highlight local customs to a great extent. The Vratas that bear the pan-Indian features have been grouped in general class and those representing local customs the particular class. The prevalence of the second group of Vratas in 峾ū貹 can be assummed from the royal inscriptions and notifications of the respective kings. For example, the Borgāon grant of king Ratnapāla refers to վṣṇܱ貹īṃkԳپ (saṃkrāntau viṣṇupadyāñca pañcaviṃśābdarājyake), Howrāghāt plate of king Valavarma refers to ŚṭṭԲ [ŚdzٳٳԲ?]; (śṭṭԱ𱹾󾱲Բ岹ٳٲ), Nagāon plate of king Valavarma refers to fasting (annāśana vidhinā vīrastejasī). The Copper plate inscription of the Devighar dated 1705 ś첹

era of king Gaurīnāth ṃh refers to Goddess ٳܰ (󲹲ٲ岹śūᲹdzܲܰ𱹲ⲹ), Māghīsaṃkrānti, Vaiśākhasaṃkrānti, پ첹ṃkԳپ, Śٳܰ岹śī, ūṣṭī [ūṣṭī?], ٴDZٰ [ٴDZٰ?] are referred to in the copper plate inscription of پśɲī temple of king Sivasiṃha (1661 ś첹), the land grant copper plate inscription of the ś temple (1645 ś첹) issued by king Śivasiṃha refers to 岵īṃkԳپ, ղśī, śǰṣṭī, Śٰī etc. besides four 岹śī and ٴDZٰ [ٴDZٰ?]. These inscriptional records indicate that, different Vratas and related festivals were in practice in those days and these are still in vogue in Assam.

Out of them thirty five Vratas, only fourteen vratas are taken up here for elaboration in an alphabetic order in two groups�(a) general (b) particular.

The General vratas are

  1. ٲⲹ,
  2. īṣmṣṭī,
  3. Ekabhakta,
  4. Nakta,
  5. ٲī,
  6. ,
  7. ۳ܲ徱.

Particular vratas are

  1. ܱ峦ī,
  2. ū,
  3. Caitra Madana Trayodaśī,
  4. Ჹ󲹲Բ-Ծṣe,
  5. ŚṭṭԲ [ŚdzٳٳԲ?],
  6. Śⲹ徱.

Footnotes and references:

[back to top]

[1]:

Winternitz, M., A History of Indian Literature, Vol-I., p. 288

[2]:

Krishnamachariar, M., History of Classical Sanskrit Literature, Introduction, p.xii

[3]:

Majumdar, R.C., The Vedic Age, pp. 479, 481

[4]:

Sarma, Thaneswara, Sanskrit Sāhityar Itibṛtta, p.78

[5]:

Catuevedi, Purusottam, Bhāratīya Vratotsava, p.252

[6]:

Hosingha, Jagannath Sastri, հٲś, P. 323

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