Vishnudharmottara Purana (Art and Architecture)
by Bhagyashree Sarma | 2021 | 59,457 words
This page relates ‘Different Parts of a Temple� of the study on the elements of Art and Architecture according to the Vishnudharmottara Purana: an ancient text whose third book deals with various artisan themes such as Architecture, Painting, Dance, Grammar, etc. Many chapters are devoted to Hindu Temple architecture and the iconography of Deities and their installation rites and ceremonies.
Go directly to: Footnotes.
5. Different Parts of a Temple
Hindu temples are made and attached with different parts viz.,
The measurement used in the construction of every part of the temple is done with hasta i.e., hand. The dimension of the construction of the whole process is basically based on the measurement in terms of hasta.[1] Different parts of Hindu temple are discussed here focusing on the discussion found in the վṣṇܻdzٳٲܰṇa.
a) ī:
ī means moulding of a base[2] or the platform of any construction. According to վṣṇܻdzٳٲܰṇa, it should be divided according to the section of the temple.[3] The ٳśٰ opines that-the area of Ჹī should be half of the entire area of the temple.[4] The same viewpoint is found in the Ծܰṇa. According to the Ծܰṇa, Ჹī should be half of the breadth or one third of the entire area of the ground.[5] According to Ѳٲⲹܰṇa, four parts of the particular ground chosen for the site of a temple is considered as Ჹī i.e the base of the temple.[6] Again, the Ծܰṇa suggests that the Ჹī should be constructed first and it should be equal or twice to the length of the ś.[7]
b) ܳ:
ܳ means the storey of a temple.[8] In the վṣṇܻdzٳٲܰṇa it is stated that the storey of a temple should be constructed in the shape of īṻ i.e., the storeys should be built one on top of the other.[9] It is also mentioned that the length of the storey should be half of its height.[10] Moreover, in the 11th chapter of Բ called ūԲ� [ū-Բ], the dimensions of different storeys are nicely described.[11] Here, the counting of storeys starts from one and ends with twelve.[12] According to this treatise, the temples should have one to twelve storeys.[13] The վṣṇܻdzٳٲܰṇa also talks about temples up to twelve storeys. This signifies that this book refers to even high rise temples.
c) ṭi:
ṭi means the hip part of a building.[14] According to the վṣṇܻdzٳٲܰṇa, 첹ṭi i.e., the hip[15] part of the temple should be half of the entire height of the temple.[16] But according to the ṛhٲṃh, the hip portion of a temple should be equal to one third of its height.[17] Again, the Ѳٲⲹܰṇa also keeps its view point in the same spirit with that in the ṛhٲṃh.[18] It shows that though the term 첹ṭi has been used to mean the fixed portion of a temple in all treatises differences can be seen to ascertaining its heights in different works.
d) ūṭa:
ūṭa means the top portion of a building[19] which is situated on the 첹ṭi i.e., the hip part of the temple. According to the Ś岹첹貹ܳ, ṭa means small hut.[20] Actually in Hindu temple architecture, small huts in particular shapes are seen to be constructed above the 첹ṭi portion of a temple. In the վṣṇܻdzٳٲܰṇa it is stated that the ūṭa should be four-sided and it should be gradually elevating.[21] ūṭa should be half of the height of the temple as like the 첹ṭi i.e., the hip part.[22] ūṭa can be classified into three divisions having three 峾첹첹.[23] Ā첹첹 or 峾첹 is a massive circular stone which is figured as the crowning member of the ś or the peak of the temple.[24]
e) Śikhara:
Ś means the topmost part of a temple which can be said as a spherical roof rising like an inverted cup over a circular base.[25] According to the վṣṇܻdzٳٲܰṇa, the ś of the temple should be decorated with various figures and it should not be skull-shaped or pointed.[26] Moreover, śs are also adorned with 峾첹첹.[27] The temples of Bhubanesvar, Puri, Konark, Assam etc., are seen to be adorned with beautiful 峾첹첹 in their śs.
f) Ҳṛh:
Ҳṛh means the central hall i.e., the sanctuary in the middle, where the statue of the deity is placed.[28] The term itself refers to a place which is not seen from outside like a womb in a female body. The ṛh is basically a small room inside the main temple which is mostly square in size, plane or rectangular as well as many-sided or circular in rare cases. Stella Kramrisch, the author of the book The Hindu Temple also keeps the view point regarding the ṛh in the similar way.[29] According to the վṣṇܻdzٳٲܰṇa, should be decorated with various figures and it should not be skull-shaped or pointed.[30] That means the վṣṇܻdzٳٲܰṇa recommends a separated room inside the main temple which can be considered as the womb chamber of the temple. The ṛhٲṃh also seems to have similar view point in this regard as this book remarks that the measurement of the ṛh should be half of the extent of the whole and it should have separate walls all around.[31]
g) Ѳṇḍ貹:
Ѳṇḍ貹 means the pavilion of a temple.[32] The height of the ṇḍ貹 is fixed with nine according to the Mayamata.[33] In the ܱ岵, four kinds of ṇḍ貹s are mentioned and 𱹲峾ṇḍ貹 is regarded as the first one.[34] According to the Ҳḍaܰṇa, the measurement of a ṇḍ貹 should be ten or twelve cubits and the ṇḍ貹 should be supported by sixteen pillars.[35] Though the վṣṇܻdzٳٲܰṇa does not talk about the structure, measurement etc. of a ṇḍ貹, this book carries the discussion about different temples having ṇḍ貹s which will be discussed later.
h) 䲹Իś:
䲹Իś means a kind of window which refers to a dormer window.[36] The վṣṇܻdzٳٲܰṇa says that Իś is the exalted part in a temple which should be made on the doors and it beautifies the doors of the temple.[37] It instructs that the temple should have separately four Իśs on the top of the four doors.[38] According to the ṛhٲṃh, the roof of a temple must have three Իśs i.e., dormer windows.[39] The following figures show the diagrams of a temple with its different parts.
[above figure: Temple with Ჹī, 첹ṭi, ś, ṛh, ṇḍ貹, 峾첹sāraka and 첹ś[40]]
[above figure: Temple with ܳ, ṭa and Իś[41]]
Footnotes and references:
[1]:
hastapramāṇantatǰٲ� prāsādānā� tu ṣaṇa�/ saṃsthānato vinirdiṣṭa� hastamānānukīrtana�/ Ibid., 3. 86.2
[5]:
Ჹī vistarādhena tribhāgena kvacidbhavet/ Ծܰṇa, 104,6
[8]:
P.K Acharya, A Dictionary of Hindu Architecture, Vol 1, p.455
[9]:
bhadrapīthākṛti� ū puna�// վṣṇܻdzٳٲܰṇa. 3.86.5
[11]:
[12]:
eteṣu kṣudramāna� ⲹ� pañcaṣaḍḍhastamārabhya/
ekādaśārkahastānta� dvidvihastena ṛd� 첹ٳ/ Ibid., 11.5
[14]:
P.K Acharya, A Dictionary of Hindu Architecture, Vol 1, p.106
[17]:
[18]:
dviguṇocchrāya� tattribhāga� 첹ṭirbhavet/ Ѳٲⲹܰṇa, 270.18
[19]:
P.K Acharya, A Dictionary of Hindu Architecture, Vol.1, p.114
[20]:
Ś岹첹貹ܳ, Vol-1, p.168
[22]:
prāsādārdha� 첹ṭi� ūṭameva� tathaiva ca/ Ibid., 3.86.6
[23]:
ūṭa� kāryastridhoccheda� śubh峾첹sāraka�/ Ibid., 3.86.7
[24]:
P.K Acharya, A Dictionary of Hindu Architecture, Vol.1, p.58
[25]:
Ibid., p.588
[28]:
P.K Acharya, A Dictionary of Hindu Architecture, Vol 1, p.164
[29]:
Stella Kramrisch, The Hindu Temple, Vol.1, p.142
[30]:
� pādena īṇa� tathā 屹� praśasyate/
bhittirgarvāṣṭabhāgonā tathā vijānatā// վṣṇܻdzٳٲܰṇa, 3.88. 7
[32]:
P.K Acharya, A Dictionary of Hindu Architecture, Vol 1, p.468
[35]:
…�..kuryyānṇḍ貹� daśahastakam/ kuryyāddvādaśahasta� vā stambhai� ṣoḍaśabhiryutam// Ҳḍaܰṇa, 48.4-5
[36]:
P.K Acharya, A Dictionary of Hindu Architecture, Vol 1, p. 194
[37]:
dvāraśobhāvatī Իś samucchṛitā/ վṣṇܻdzٳٲܰṇa, 3.86.10
[38]:
vicchinna Իśbhiścatasṛbhirivāvṛta�/ Ibid., 3.86.10
[39]:
triԻś bhavedvalabhī/ ṛhٲṃh, 56.25
[41]:
Source: Goggle(Partly Modified), Link: https://www.wikiwand.com/en/Vimana_(architectural_feature)