365bet

Vasudevavijaya of Vasudeva (Study)

by Sajitha. A | 2018 | 50,171 words

This page relates ‘Theme of the Vasudevavijaya� of the study on the Vasudevavijaya of Vasudeva from the 11th century A.D. The Vasudevavijayam is an educational poem belonging to the Shastra-Kavya category of technical Sanskrit literature. The Vasudevavijayam depicts in 657 verses the story of Lord Krishna while also elucidates the grammatical rules of the Ashtadhyayi of Panini (teaching the science of grammar). The subject-content of the poem was taken from the tenth Skandha of the Bhagavatapurana.

Go directly to: Footnotes.

The tenth skandha of 岵ٲܰṇa forms the basis for ܻ𱹲vijaya The tenth skandha is divided into ninety chapters narrating the story from the birth of ṛṣṇa up to his life in Dvaraka and his progeny. ܻ𱹲 has made use of only the story of the first thirty seven chapters of the tenth skandha to illustrate the grammatical aphorisms of ṇiԾ. Beginning from the birth of ṛṣṇa, the story is narrated upto ś and ends with 岹ٳܳپ. In order to complete the story, Melputtūr ⲹṇaṭṭ composes the poem ٳٳܰ屹ⲹ as a continuation of ܻ𱹲vijaya

The poem begins with an invocation to Lord ܻ𱹲 whose story forms the theme of the story.

The author hopes that his words will be purified by the waves of the glorious deeds of ṛṣṇa which he is going to narrate.

ṛtٳ󲹳 yasya 貹峾Ჹ� niṣevamāṇa� vṛṇute'cirātsvayam |
hṛdā dadhatta� vasudevanandana� pune girastaccaritāmṛtormibhi� ||
[1]

After the invocation the poet starts the story with the Goddess Earth’s approach to as she is oppressed by the harassment of the Demons. After hearing the grievances, along with Lord Ś and other celestials and Earth reached Palahi and discussed matters with Lord վṣṇ and returned. In the following verses the description of the village Ѳܰ and ṃs are depicted. The marriage ceremony of ٱ𱹲ī and Vasudeva and the divine oracle that eighth son of ٱ𱹲ī is to extinguish the life of ṃs is given. Enraged by the strange oracle from space ṃs attempts to kill ٱ𱹲ī, but Vasudeva pacifies ṃs with an assurance that every child of ٱ𱹲ī would be handed over to ṃs instantly at birth and goes to Vasudeva’s abode.

The second canto opens with a mentally perturbed thinking of Vasudeva in the aftermath of the assurance he has given to ṃs. Sage Garga’s return from Vasudeva’s home after consoling him is narrated. Next Vasudeva reaches in ṃs’s presence with his first born child and ṃs showers blessings on the child. Sage appearing on the scene and he reminds ṃs about the divine oracle. ṃs kills the child and throws ٱ𱹲ī and Vasudeva to prison. Next the imprisonment of Ugrasena and contempt of are depicted. ṃs employs personnel to kill children of ٱ𱹲ī as and when they are born. Arrival of dzṇ� at Ի岹ṛh, ۲śǻ’s pregnancy of ī are described here. The joy of birth of վṣṇ and fear of ṃs then follows.

In the third canto, birth of Lord ṛṣṇa is described finely.ܻ𱹲 carries ṛṣṇa to Ի岹ṛh and the river ۲ܲ splitting apart to facilitate easy passage for Vasudeva. The exchange of ī and ṛṣṇa is narrated then. ṃs rushes to the prison and takes hold the baby. But baby slips of his hand and rise high in the sky. She utters the truth that the terminator of ṃs is already born and disappears. The terribly frightened status of ṃs is also portrayed here.

Fourth canto describes the celebration of people of Dvaraka at the birth of ṛṣṇa, ūٲ峾ǰṣa etc. Ladies of Royal household are frightened at ūٲ’s death but the smile emanating from ṛṣṇa dispels their fear. The purifying rights for the welfare of child ṛṣṇa and the prosperity of the people of Dvaraka are narrated well in this canto. Ś첹ṭāsܰ is annihilated and the canto concludes with the killing of ṛṇ屹ٲ.

The naming ceremony by Sage Garga and the exploits of the child ṛṣṇa are narrated in detail in the fifth canto. Pilferage of butter, ū󲹱Ի󲹲Բ, blessings to Naḷakūbara and Ѳṇiī, killing of the demons Baka and Agha are other important descriptions in the canto.

The sixth canto opens with the killing of the demon Dhainuka. 峾ṛṣṇaٳܳپ and ḷiⲹ岹Բ episode follows. Then comes the killing of Pralamba and thereafter ṛṣṇa enters forest. Dāvāgnipāna comes next followed by the depiction of season Ś.

Gopikas areenamored of ṛṣṇa. ղٰ貹󲹰ṇa is also narrated. Nandagopa conducts a rite to win favors from Indra but at ṛṣṇa’s instance Govarddhana hill is worshipped and ends the sixth canto.

In the seventh canto Indra infuriated by the hindrance caused a heavy down pour and frightened Dvaraka. Inhabitants take refuge in ṛṣṇa. ṛṣṇa lifts the Govarddhana hill and protects Dvaraka from torrential rains. Failure of Indra in the battle, eulogy to ṛṣṇa by Indra, releasing of Nandagopa from ղṇa’s personnel, īḍ�, killing of the demons ṣṭ and ś are the other major episodes described in this canto and it ends with the 岹ٳܳپ.

Thus in seven cantos ܻ𱹲 narrates the story of ṛṣṇa up to ś. Though the story of ṛṣṇa is incomplete, the work ܻ𱹲vijaya is complete in the light of describing Paniniyan rules.

Footnotes and references:

[back to top]

[1]:

Prof. Vijayapal Sastri,op.cit.v.I.1

Let's grow together!

I humbly request your help to keep doing what I do best: provide the world with unbiased sources, definitions and images. Your donation direclty influences the quality and quantity of knowledge, wisdom and spiritual insight the world is exposed to.

Let's make the world a better place together!

Like what you read? Help to become even better: