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Essay name: Studies in the Upapuranas

Author: R. C. Hazra

This book studies the Upapuranas: a vast category of (often Sanskrit) literature representing significant historical, religious, and cultural insights of the ancient Indian civilization. These texts provide rich information, especially on Hinduism covering theology, mythology, rituals, and dynastic genealogies.

Page 397 of: Studies in the Upapuranas

Page:

397 (of 598)


External source: Shodhganga (Repository of Indian theses)


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378
STUDIES IN THE UPAPURĀṆAS
to be worshipped, but there is not a single vrata which requires
the worship of BrahmÄ as the principal deity. Among the
Vaiṣṇava vratas there are some which seem to be PÄñcarÄtra
and some appear to be BhÄgavata. This distinction seems
to be indicated by the Mula-mantras mentioned in connec-
tion with them. For instance, in the Govinda-śayan-
otthÄpana-dvÄdaśī-vrata (chap. 70), Suká¹›ta-dvÄdaśī-vrata
(chap. 82), DharaṇÄ�-vrata (chap. 83) and KÄma-dÄna-veÅ›yÄ-
vrata (chap. 111) the Mula-mantra ‘om namo nÄrÄyaṇÄya'
is directed to be used, but in the Bhiṣma-pañcaka-vrata
(chap. 72), Åšravaṇa-dvÄdaśī-vrata (chap. 75) and SanaiÅ›cara-
vrata (chap. 114) the Mula-mantra to be used is ‘om namo
vÄsudevÄya' or '‘om namo bhagavate vÄsudevÄya'. The
Saura Vratas, on the other hand, differ in their media of
worship of the Sun-god. Thus, in the Visoka-ṣaṣṭhi-vrata
and the Kamala-ṣaṣṭhi-vrata the medium of worship is
a golden lotus (kÄñcana padma, haima-padma); in the
KalyÄṇa-saptami-vrata and the SarkarÄ-saptamÄ«-vrata, as
described in Bhav. IV. 48 and 49 respectively, the figure of
an eight-petalled lotus has to be painted on the ground with
powdered rice dried in the sun or with saffron for the worship
of the Sun-god in the different petals and the pericarp with
"kÄrttikeyÄd á¹›te nÄnyo rÄjñÄm pÅ«jyaá¸� pravaká¹£yate //
samgrÄmaá¹� gacchamÄno yaá¸� pÅ«jayet ká¹›ttikÄ-sutam /
sa sarvam jayate viro yathendro dÄnavÄn raṇe //â€�
(Bhav. IV. 42. 24b-25).
"No [deity] other than Kärttikeya is said to deserve worship by kings.
“That hero who, when going out for war, worships the son of the Ká¹›ttikÄs, con-
quers all, just as Indra defeats the DÄnavas in war.â€�
35 For instance, in the Aśoka-vrata, Karavīra-vrata and Madhūka-vrata the res-
pective trees (Aśoka, Karavīra and Madhūka) are to be worshipped (chaps. 9, 10 and 16):
in the DÅ«rvÄṣṭami-vrata DÅ«rvÄ grass has to be worshipped (chap. 56); in the KokilÄ-
vrata the form of a female cuckoo is to be made with powdered sesamum, furnished
with eyes of gems and wings of gold, placed on a copper dish, duly worshipped, and
then given to a Brahmin (chap. 11); in the Go-vatsa-dvÄdasi-vrata a cow is to be regarded
as Gauri herself and worshipped (chap. 69); in the MandÄra-nimb-Ärka-karavÄ«ra-vrata
Sveta-mandÄra, Nimba, Sveta-arka, and Rakta-karavÄ«ra plants are to be worshipped
(chap. 88); and so on.
** See Bhav. IV. 38. 6-
ká¹›tvÄ tu kÄñcanam padmam arko 'yam iti pÅ«jayet /
karavīreṇa raktena rakta-vastra-yugena ca //
Bhav. IV. 39. 2 (sasthim upoá¹£ya kamalam kÄrayitvÄ sukÄñcanam), and 10
(Å›arkarÄ-kalaÅ›am dadyÄddhaima-padma-phalänvitam).

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