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There are many other examples where Sambhogas峁沶g膩ra is developed.
They are: III - 35, III - 47, IV - 46,V - 19 etc.
Here is an example of Vipralambha艣峁沶g膩ra. Vipralambhas峁沶g膩ra arises
when hero and heroin are seperated from each other though they are in deep love.
And they are not in a position to meet each other.
啶︵た啶ㄠぞ啶оた啶�啶掂た啶ㄠぞ啶曕�冟い啶苦さ啷嵿く啶膏え啶栢た啶ㄠ�嵿え啶膏�傕ぇ啷嵿く啶距さ啶о��-
啶掂た啶о�傕い啶曕が啶班��啶�啷嵿ぐ啶�啶班お啷嵿ぐ啶膏ぐ啶曕�屶い啷佮�曕ぞ啶�啶距う啶曕ぎ啷� 啷�
啶掂た啶多�冟とē嵿�栢げ啶曕げ啶苦え啷嵿う啶溹ぞ啶溹げ啶むぐ啶权�嵿�椸き啶权�嵿�椸ぞ啶掂げ啷赌-
[诲颈苍腻诲丑颈辫补惫颈苍腻办峁泃颈惫测补蝉补苍补办丑颈苍苍补蝉补峁僤丑测腻惫补诲丑奴-
vidh奴takabar墨bhramaraprasarakautuk膩p膩dakam |
惫颈艣峁涐箙办丑补濒补办补濒颈苍诲补箩腻箩补濒补迟补谤补峁単补产丑补峁単腻惫补濒墨-
] 22 啶�啶侧��啶�啶膏ぎ啶苦う啶� 啶むぎ啷� 啶溹�椸う啶多�囙し啶�啶距�氞�傕し啶む�� 啷� [mal墨masamida峁� tamo jagada艣e峁�am膩c奴峁�ati || ] S. S. III - 46, p.392
"The Sun having set, light shrinks everywhere, my lovely dear and the
spread of dense darkness covers the face of the eastern quarter. And now
the irrepressible Manmatha advances to afflict the world in the company of
his friend, the Spring, doing various acts of an evil nature."
This verse describes an advent of night. Before night appears, the dramatist
describes that damsel of twilight i.e. Sandhy膩 suffers from the pangs of seperation.
from her lord the Sun. Here both Sandhya and the Sun are in deep love. But they
are seperated. Thus here in the sense of seperation (Prav膩sa), Vipralambha艣峁沶g膩ra
is developed.
Similarly, there are some other examples of the same coin. They are 1 - 74,
IV - 6 etc.
H膩syarasa or Humour :
H盲sya or humour is one of the sentiments keeping the things lively. It arises
through Cesta (*) or the movements, Ve峁�a or dress and through V膩峁噄 or speech
of a person whose mind is vik峁泃a. The person causing humour through his speech
etc. is 膧lambana; and his movements are Uddipana's of this sentiment. This
22.
啶�啶む�嵿ぐ 啶む�� 啶班い啶苦�� 啶�啷嵿ぐ啶曕�冟し啷嵿�熰�� 啶ㄠぞ啶�啷�啶粪�嵿�熰ぎ啷佮お啷堗い啶� 啶掂た啶�啷嵿ぐ啶侧ぎ啷嵿き啷嬥そ啶膏�� 啷�
|
[yatra tu rati岣� prak峁涐梗峁��� n膩bh墨峁ａ弓amupaiti vipralambho'sau |
|
] Vi艣van膩tha, Sahitya Darpa峁嘺, III - 187, p.230