Essay name: Sankalpa Suryodaya of Venkatanatha (Critical Study)
Author:
R. Laxmi
Affiliation: Karnatak University / Department of Sanskrit
This is an English study of the Sankalpa Suryodaya—an allegorical Sanskrit drama by Venkatanatha, a distinguished philosopher-poet and dramatist of the Vishishtadvaita Vedanta tradition. This work of Venkata-natha (or, Vedanta Deshika). stands out for integrating allegory to convey moral and philosophical truths. The thesis examines its place in Sanskrit literature.
Chapter 4a - Characterisation of the play
101 (of 134)
External source: Shodhganga (Repository of Indian theses)
Download the PDF file of the original publication
229
ladies like Tṛṣṇa, who belong to the same family, fall on the ground and
raise their lament."
Here the sentiment of Pathos is developed through Iṣṭanāśa i.e. the
destruction of Mahāmoha who is the beloved husband of Durmati, and through
Aniṣṭaprāpti i.e. obtaining widowhood, (this elememt is not evident). Here
lamentation of Durmati is Sthayibhāva; Mahāmoha who is already dead is
Ālambana; Uddipanabhava is silent. Tumburu's denouncing the fate, lamentation of
Tṛṣṇa etc. are Anubhāvas; Durmatis falling in swoon, decline of her status and
sorrowful condition are Vyabhicāribhāvas.
Thus these two are apt examples delineating Karuṇarasa.
Raudrarasa or Furious Sentiment :
Raudrarasa is usually developed in the battle scene. Krodha or Anger is its
Sthāyībhāva; Redness is its colour and Raudra is the deity of this sentiment.
enemy is the Ālambana-Vibhāva and the actions of the person like first fighting
become Uddipanabhāvas. Moreover, fist fighting making enemy to fall ground,
deceitful actions, rushing to the battle-field etc. Then biting one's lips, clapping,
sensuring, declaring one's own valour, holding a weapon etc. are Anubhāvas. And
Ugratā or Avega, Romāñcana, Sveda, Vepata, Mada etc. are Vyabhicāribhāvas of
Raudra sentiment.25
There are copious examples delineating this sentiment. For example;
अतिघोरचेष्टितः खल्वसावशेषविध्वंसनतर्षवानमर्षः � [atighoraceṣṭita� khalvasāvaśeṣavidhvaṃsanatarṣavānamarṣa� | ] S.S. VIII, p. 726
25.
रौद्रः क्रोधस्थायिभाव� रक्त� रुद्राधिदैवत� � आलम्बनमरिस्तत्� तच्चेष्टोद्दीपन� मतम् � २२� �
मुष्टिप्रहारपातन विकृतच्छेदावदारणेश्वैव � संग्रामसंभ्रमाद्यैरस्योदीप्तिभवेत� � प्रौढा || २२� ||
भ्रूविभङ्गोष्ठनिर्दे� बाहुस्फोटनतर्जना� � आत्मावदानकथनमायुधोत्क्षेणानि � � २२� �
अनुभावास्तथाक्षेपक्रूरसंदर्शनादय� � उग्रतावेगरोमाञ्चस्वेदवेपथव� मद� || २३� ||
मोहमर्षादयस्तत्र भावा स्युव्यभिचारिण� �
[raudra� krodhasthāyibhāvo rakto rudrādhidaivata� | ālambanamaristatra tacceṣṭoddīpana� matam || 227 ||
muṣṭiprahārapātana vikṛtacchedāvadāraṇeśvaiva | saṃgrāmasaṃbhramādyairasyodīptibhavet | prauḍhā || 228 ||
bhrūvibhaṅgoṣṭhanirdeśa bāhusphoṭanatarjanā� | ātmāvadānakathanamāyudhotkṣeṇāni ca || 226 ||
anubhāvāstathākṣepakrūrasaṃdarśanādaya� | ugratāvegaromāñcasvedavepathavo mada� || 230 ||
mohamarṣādayastatra bhāvā syuvyabhicāriṇa� |
] Viśvanātha, Sahitya Darpaṇa, III - p.260-61
