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Essay name: Sankalpa Suryodaya of Venkatanatha (Critical Study)

Author: R. Laxmi
Affiliation: Karnatak University / Department of Sanskrit

This is an English study of the Sankalpa Suryodaya—an allegorical Sanskrit drama by Venkatanatha, a distinguished philosopher-poet and dramatist of the Vishishtadvaita Vedanta tradition. This work of Venkata-natha (or, Vedanta Deshika). stands out for integrating allegory to convey moral and philosophical truths. The thesis examines its place in Sanskrit literature.

Chapter 2 - Introduction

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1 (of 17)


External source: Shodhganga (Repository of Indian theses)


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CHAPTER II
1. INTRODUCTION TO SANKALPASŪRYODAYA : .
Rūpaka or Drama has occupied an important position in Sanskrit Literature.
In the words of Vämana, Rūpaka "is the blossom of poetry, the union of the epic
and the lyric in the uninterrupted vivacity of an actual performance, developing
itself in the spirit of the age to come."1 Bharata, considered to be the founder of
Sanskrit Dramaturgy, has said, "it is an imitation of actions and conducts of people,
which is rich in various emotions, and which depicts different situations. This
relates to actions of men, good, bad or indifferent and gives courage, amusement
and happiness as well as counsel to them all. 2
However, different theories both eastern and western have been prevalent
regarding the origin of drama. In his Nāṭyaśāstra, Bharata gives a divine and
mythical description about the origin of drama.³ Yet, the fact remains that a drama
is the imitation of the actions of particular characters which the dramatist thinks
to have taken place against the background of certain incidents which may have
taken place at a certain time or place. So the story the dramatist, may be of
various types with regard to its length, characters, situations, sentiments and so
1.
ن
3.
"तद्व� चित्रं चित्रपटवद्विशेषसाकल्यात् [tadvi citra� citrapaṭavadviśeṣasākalyāt] "
Vāmana, Kävyälaṃkāra Sūtra; 1.3.31, Chowkhamba Sanskrit Samsthan, Varanasi,
1976, p.42.
नानाभावोपसंपन्नं नानावस्थान्तरात्मकम् लोकवृत्तानुकरण� नाट्यमेतन्मय� कृतम� �
उत्तमाधममध्यानां नराणां कर्म संश्रयम् हितोपदेशजननं धृतिक्रीडासुखादिकृत् �
[nānābhāvopasaṃpanna� nānāvasthāntarātmakam lokavṛttānukaraṇa� nāṭyametanmayā kṛtam |
uttamādhamamadhyānā� narāṇāṃ karma saṃśrayam hitopadeśajanana� dhṛtikrīḍāsukhādikṛt ||
]
Nātyaśāstra of Bharata, Vol. 1, 1, 111-112, Oriental Institute, Baroda, 1934, pp. 132-33.
ग्राम्यधर्मप्रवृत्ते तु कामलोभवश� गत� � ईर्ष्याक्रोधाद� सम्मूढ� लोके सुखिदुःखित� �
सर्वशास्त्रार्थसम्पन्न� सर्वशिल्पप्रवर्तकम� � नाट्याख्यं पञ्चमं वेदं सेतिहासं करोम्यहम� �
[grāmyadharmapravṛtte tu kāmalobhavaśa� gate | īrṣyākrodhādi sammūḍhe loke sukhiduḥkhite ||
sarvaśāstrārthasampanna� sarvaśilpapravartakam | nāṭyākhya� pañcama� veda� setihāsa� karomyaham ||
]
Ibid, I. 9-15, pp. 42-50.

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