Essay name: Panchatantra: A reflex of Arthashastra
Author:
M. N. Indrani
Affiliation: Karnatak University / Department of Sanskrit
The essay studies the Panchatantra in relation to the Arthashastra by proposing that that Indian fable literature divides into educative and entertaining narratives, both traced back to the sacred Vedic texts. It highlights the 'Pancatantra' and its kin as representative of educative stories.
Conclusion
7 (of 11)
External source: Shodhganga (Repository of Indian theses)
Download the PDF file of the original publication
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Among the classified elements, the king leads thereby to
show that the kingship is indissolubly bound up with that of
sovereignty. Of course, there is nothing in the ArthaĹÄstra to
suggest that Kautilya ever considers from king as a good on
earth. On the other hand, ViᚣášuĹarmÄ regards the king as god
for one reason that none should deal with him treacherously;
and going a step ahead, he is considered more than god for
another reason that he can bestow the fruits good or bad in no
time in this life-time itself, while the god in the next birth only.
Upholding Kautilya's principle of king's protection of
subjects conducing to their glory, ViᚣášuĹarmÄ makes significant
presentation of the duties of the king through the narration of
the story of BhÄsuraka and the rabbit. In this connection,
ViᚣášuĹarmÄ's statement is noteworthy. "A king should not seek
to enrich treasury all at once but should draw as much money
from his subjects, as he can do with safety and that too by
gentle means." (Mitrabheda, KathÄ - VIII, verse - 238).
On the other hand, a king of unrighteous characters falls a
prey to his enemies or to his own subjects. This point is well
illustrated by Viᚣášusarma in many contexts.
Thus ViᚣášuĹarmÄ reveals that the king's ruling over the
country should ever be beneficial to subjects.
The association of a king with his personal servants is one
of the important factors leading to smooth running of the
