Essay name: Panchatantra: A reflex of Arthashastra
Author:
M. N. Indrani
Affiliation: Karnatak University / Department of Sanskrit
The essay studies the Panchatantra in relation to the Arthashastra by proposing that that Indian fable literature divides into educative and entertaining narratives, both traced back to the sacred Vedic texts. It highlights the 'Pancatantra' and its kin as representative of educative stories.
Chapter 1 - A survey of the Niti-Katha-Sahitya
22 (of 28)
External source: Shodhganga (Repository of Indian theses)
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Kṣemendra and Somadeva (11th century A.D.). The third is the
common lost source of the Kasmirian version, entitled
Tantrākhyāyikā, and of the two Jaina versions, namely, the
simplicior Text, well known from Buhler and Kielhorn's not very
critical edition, and the much amplified Ornatior Text, called
Pañcākhyāna, of Pūrṇabhadra (1199 A.D.). The fourth is
similarly the common lost source of the Sourthern Pañcatantra,
the Nepalese version.
V.
Contents of Pañcatantra:
The Pañcatantra emanated from the pen of Viṣṇuśarmā to
whom the sons of king Amaraśakti were entrusted on his
promising to teach them polity within six months. As its name
suggests (Pañca-five), the Pañcatantra is divided into five parts,
each of which deals with an aspect of practical wisdom.
The first book, entitled Mitrabheda, handles efficiently the
theme of the seperation of friends. The frame story relates how a
wicked jackal brings about the estrangement of the lion
Pingalaka from the bull Sañjīvaka. Pingalaka treats Sañjīvaka
as dear friend, to the absolute disgust of the sly jackal,
Damanaka, and his mate. Ultimately the lion is made to
distrust the bull and slay him. As Pingalaka, feeling penitent,
laments the death of his one-time faithful attendant, Damanaka
refers to the principles of polity to consol him. Polity, he says
recommends extermination of even the nearest and dearest, if
he endangers the stability of the administration. Statecraft,
