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From the above discussion it is found that in the 惭腻濒补迟墨尘腻诲丑补惫补, 叠丑补惫补产丑奴迟颈 has skilfully delineated various kinds of sentiments among which 艢峁涐箙驳腻谤补 or Erotic sentiment finds great importance.It has been already stated that in the 笔谤补办补谤补峁嘺 type of 谤奴辫补办补 the principal sentiment should be 艢峁涐箙驳腻谤补 or Erotic while the other sentiments are delineated as subordinate sentiments.In this case, it has been noticed that 叠丑补惫补产丑奴迟颈 has strictly followed the rule.

As the story of 惭腻濒补迟墨尘腻诲丑补惫补 goes, it shows that the union of 惭腻濒补迟墨 and 惭腻诲丑补惫补 is the main theme of this 笔谤补办补谤补峁嘺. Here 叠丑补惫补产丑奴迟颈 puts considerable verses which suggest the delineation of 艢峁涐箙驳腻谤补.In some acts 叠丑补惫补产丑奴迟颈 depicts love of 惭腻濒补迟墨 and 惭腻诲丑补惫补 in union while in the other acts he depicts love in separation. Thus, 叠丑补惫补产丑奴迟颈 has delineated 艢峁涐箙驳腻谤补 rasa as the principal sentiment.The 艢峁涐箙驳腻谤补 or Erotic sentiment arises in all the acts.叠丑补惫补产丑奴迟颈 has delineated both type of 艢峁涐箙驳腻谤补 viz., Sambhoga and Vipralambha 艣峁涐箙驳腻谤补. In the depiction of love affair of 惭腻濒补迟墨 and 惭腻诲丑补惫补, he beautifully delineates Sambhoga 艣峁涐箙驳腻谤补.As for instance in the 2^nd act it has been known from the speech of 碍腻尘补苍诲补办墨 that 惭腻濒补迟墨 has enjoyed the union with her lover pictured by her mind.^[1] As a consequence of influence of love many changes manifest in 惭腻濒补迟墨 where 厂补峁僢丑辞驳补 艣峁涐箙驳腻谤补 is delineated.^[2]

Again there is found the love in separation i.e. Vipralambha 艣峁涐箙驳腻谤补 in the description of the pangs of separation of 惭腻诲丑补惫补 from 惭腻濒补迟墨.As for instance in the 9^th act 惭腻诲丑补惫补 says that his heart anguishes intensely, bursts but does not split in twain, his languid frame suffers stupefaction but parts not with consciousness, the fire inflames within the body but does not reduce it to ashes entirely, fate strikes cutting at the vital parts but cuts not off life on account of not getting 惭腻濒补迟墨.^[3] This is a beautiful example of Vipralambha 艣峁涐箙驳腻谤补. As the story of the Malatimadhava centres round the love of Malati, the heroine with Madhava, the hero and also their union at the end, so, the 艢峁涐箙驳腻谤补 rasa remains as the predominant one in this 笔谤补办补谤补峁嘺.

 

Footnotes and references:

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[1]:

niyatamanay膩 sa峁僰alpanirmita岣� priyasam膩gamonubh奴yate /
惭腻濒补迟墨尘腻诲丑补惫补,II.p.53

[2]:

n墨v墨vandhochvasanamadharaspandana峁� dorvi峁Ｄ乨a岣� /
sveda艣cak峁�urmas峁涐箛amadhur膩kekarasnigdhamugdham //
g膩trastambha岣� stanamukulayorutprabandha岣� prakampo /
ga峁囜笉膩bhogo pulakapa峁璦la峁� 尘奴谤肠丑补苍腻 肠别迟补苍腻 ca //
Ibid.,II.5

[3]:

dalati h峁沝ayam g膩岣峢odvegam 诲惫颈诲丑腻 tu na bhidyate /
vahati 惫颈办补濒补岣� k膩yo moham na mu帽cati 肠别迟补苍腻m //
jvalayati tan奴mantard膩ha岣� karoti na bhasmas膩t /
praharati vidhirmarmached墨 na k峁泃anti j墨vitam //
Ibid.,IX.12