Essay name: Kamashastra and Classical Sanskrit literature (study)
Author:
Vishwanath K. Hampiholi
Affiliation: Karnatak University / Department of Sanskrit
This essay in English studies the influence of Kamashastra on classical Sanskrit literature by exploring the significance of Kama (sexual desire) within Indian philosophy and literature. It is highlighted tat ancient Indians valued both spiritual and worldly aspects of life. The treatise "Kamasutra" by Vatsyayana is highlighted as a pioneering erotic text, addressing sexual pleasure as an art form.
Concluding Remarks
19 (of 45)
External source: Shodhganga (Repository of Indian theses)
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393
Therefore, being influenced by VÄtsyÄyana, the poets
described not only the dalliance of heroes and heroines,
but also water-sport, plucking the flowers, drinking
parties etc. which are subsidiary arts narrated by the
KÄmasÅ«tra. Bharavi and Magha described these scenes in
whole cantos. Thus the influence of Kamaśastra spread
in poetry. In the same way the prose literature started
to take the help of Kamasutra when it felt necessary.
Hence we see the influence on Bana, as he used it in some
contexts only wherever it was necessary.
But Dandin
lavishes his deep knowledge of erotic science in his
works, though it seems indelicacy. In the same period
Dandin, in his Kavyadarsa, while giving the characteris-
tics of a MahÄkÄvya, mentions the description of water-
sport drinking wine etc. as an important part of Maha-
kavya. Therefore the literature, written after 9th
century, shows clearly this influence.
The Amaruśataka of Amaruka, which is also ascribed
to the great monk Sankara is a unique sataka. Though it
is full of erotic sentiment, it differs from the śrigara-
Sataka of Bhartá¹›hari. A. B. Keith remarks thus- "The
Åšataka is essentially a collection of pictures of love
and it differs from the work of Bhartá¹›hari in that, while
Bhartá¹›hari deals rather with general aspects of love and
