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Essay name: Kamashastra and Classical Sanskrit literature (study)

Author: Vishwanath K. Hampiholi
Affiliation: Karnatak University / Department of Sanskrit

This essay in English studies the influence of Kamashastra on classical Sanskrit literature by exploring the significance of Kama (sexual desire) within Indian philosophy and literature. It is highlighted tat ancient Indians valued both spiritual and worldly aspects of life. The treatise "Kamasutra" by Vatsyayana is highlighted as a pioneering erotic text, addressing sexual pleasure as an art form.

Chapter 3 - Kamasutra part 2 (Samprayogika)—Critical study

Page:

28 (of 155)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Warning! Page nr. 28 has not been proofread.

107
When we go through the literature we are surprised
to find that poets have not taken much interest in depict-
ing the physical charms of males. The reason may be
according to Indian convention, a man, who had knowledge,
virtues and who had done heroic deeds, was glorified.
Therefore, poets gave much importance to those matters
and not to the physical beauty. All the heroes of the
dramas or of the kavyas were depicted as virtuous, learned,
brave, liberal etc. Yet, we see a little description of
the physical charms of males here and there. Kalidasa
describes Dilipa's physique in a verse- "He possessed a
broad chest, bull-like shoulders and long arms. He was
tall like sala tree. He was a though Dharma of Ksatriyas
55 resorting to a body fit for its work. Here the poet
has given the physical description only in a line, but
he describes the fame, virtues, bravery etc. in many
verses.
Bāṇa describes at length Dadhici in the Harsa Carita;
īḍa,
Tarapida,
Candrapida and Vaisampayana in the Kadambar1.
55. व्यूढोरस्क� वृषस्कन्धः शालप्रांशुमहाभुज� �
[vyūḍhorasko vṛṣaskandha� śālaprāṃśumahābhuja� |
]
1 आत्मकर्मक्षम� देहं क्षात्रो धर्म इवाश्रित� � रघ�. [ātmakarmakṣama� deha� kṣātro dharma ivāśrita� || raghu. ] 1.13.
Raghuvamsa of Kālidāsa.
Ed.G. R.Nandargikar,
Motilala Banarasidāsa, Delhi.

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