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necessity of reverse posture. Poets like 艢r墨har峁�a, Bh膩ravi,
Bilhana and Jayadeva have shown keen interest in describing
Purusavita. Poets have pictured it according to the words
of sexology. This adhy膩ya further narrates the signs of
satisfaction of a woman in love-sport. All the gestures
which are narrated by Kamasastra are picturesquely sketched
by the poets in their kavyas.
Mouth congress or fellatio, though it is prohibited
by Hindu religion, is discussed by Vatsy膩yana. He states
which category of people will do it and explains it in
detail. But the poets have not described this type of
congress as it is forbidden by the religion and as it
looks unaesthetic.
The tenth and the last adhyaya instructs how to
begin and how to end the sex-sport. V盲tsy膩yana has not
advised about it in detail as he discusses it in the
Kanyavis峁沵bhana adhikarana with every step. This adhyaya
also deals with love-quarrels which are more important
for the dramatists than the poets. Well-known dramatists
like K膩lid膩sa and Srihar峁�a have sketched it in an attrac-
tive manner. The poets have also referred to gotraskhalana
and p膩dapatana, which are mentioned in this adhvaya.