Essay name: Kamashastra and Classical Sanskrit literature (study)
Author:
Vishwanath K. Hampiholi
Affiliation: Karnatak University / Department of Sanskrit
This essay in English studies the influence of Kamashastra on classical Sanskrit literature by exploring the significance of Kama (sexual desire) within Indian philosophy and literature. It is highlighted tat ancient Indians valued both spiritual and worldly aspects of life. The treatise "Kamasutra" by Vatsyayana is highlighted as a pioneering erotic text, addressing sexual pleasure as an art form.
Chapter 2 - Kamasutra part 1 (Sadharana-adhikarana)—Critical study
47 (of 48)
External source: Shodhganga (Repository of Indian theses)
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73
The Kamasutra further narrates that the Vita, the
Pithamardha and the Vidūṣaka are companions to the Nagaraka.
Even in dramas we see that these characters only help the
hero. The Kamasutra further gives a beautiful and elaborate
description of the house which becomes a model for the
poets as well as for the dramatists. Bharata's Natyaśāstra,
which is probably the earliest work on dramaturgy gives
four types of heroines viz., divine woman, wife of a king,
119 woman of a good family and a courtesan. But according
to Kamasutra heroines are of three types and they are:
a maiden, twice married and a courtesan, After some time
the division shown by the Kamasutra became more popular
than the division of Natyasastra. Hence, other authors
120 f
of dramaturgy'
only: viz., sviya, anya and sadhāraṇ�. There is not much
difference between the Kamasutra and these books. On the
basis of these three heroines only, all other types of
heroines were divided.
divided the heroines into three types
The friends and the messengers described by the
Kamasutra are seen in the literature repeatedly. Especially
this adhikaraṇa influenced the drama more than the poetry,
�
[|
] 119. दिव्या, नृपपत्नी, कुलस्त्री, गणिक� � नाट्�. [divyā, nṛpapatnī, kulastrī, gaṇikā | nāṭya. ] 3-23.24.
120. दारू. [ū. ] 2.24 सा.�. [.岹.] 3.
