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Bharata has enumerated ten main demerits to be avoided in kavya- 1.G奴岣峢artha (obscurity) 2. Arth盲ntara (digression) 3. Arthahina (meaninglessness) 4. Bhinnartha (obscenity) 5. Ek膩rtha (tautology) 6. Abhiplut膩rtha (incoherence), 7.Ny膩y膩p墨ta (illogicality) 8. Vi峁�ama (Anomaly) 9. Visandhi (hiatus) and 10. Sabdacyuta (slang). It is an acknowledged fact that a kavya should be devoid of all demerits. Bharata has stated that it matters little or nothing if one does not write poetry, but writing bad poetry is tantamount to homicide; broadly speaking, all improprieties come under demerits and should be avoided. It is not enough if a kavya is devoid of demerits but should also incorporate merits. The merits enumerated by Bharata are ten-1. 艢le峁�a (double meaning) 2.Prasada (obviousness) 3.Samat膩 (balance) 4.Sam膩dhi (terseness) 5.Madhurya (sweetness) 6.Ojau (grandeur) 7. Saukum膩rya (delicacy) 8. Arthavyakti (directness) 9.Udarata (exaltedness) and 10.K膩nti (brilliance). Sambuddhividh膩na pertains to the forms of address in which the superior, medium and the inferior characters address each other in a play. Where it is not etiquette bound to address a character by name, certain standard forms of addressing have been evolved. Eg. great sages, saints and other respected persons are to be addressed as Bhagavan ("Holly one"!). 212