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than three Pa帽camas. Whatever is the case, Virapa帽cama cannot be omitted. This is used in many places in Anguliyanka. The rule goes: 鈥淏rumadrerat drug: In Anguliyanka, when raksasas like Khara challenge R膩ma to fight with them, the situation of Rama is described in the nirvahanasloka beginning with - ' 啶曕お啷嬥げ啷� 啶溹ぞ啶ㄠ�曕�嵿く啶距�� 啶曕ぐ啶苦�曕�� 啶�啶︵え啷嵿い啶︵�嵿く啷佮い啶�... [kapole j膩naky膩岣� karikala bhadantadyuti...] ' Anguliy膩nka, Sagarotpatti- the slokas 鈥溌堵堵堵堵堵堵垛�︹�� and '啶呧ぎ啷嵿き啷嬥ぇ啶苦�� 啶�啷嵿ぐ啶�啶苦さ啶距い啷嵿く 啶掂ぞ... [ambhodhi峁� pramiv膩tya v膩... ] ' , These 艣l艒kas are recited in Virapa帽cama. Some deviations from Natyakalpadruma are mentioned below: 1. The NKD says that in syng膩ra (and rati), Indala is also used. In K奴峁璱y膩峁�峁璷m, character is supposed to use Indalam for 艣峁沶g膩ra. But it is established that this raga is used for heroes in normal situations (sam膩vasth膩). Now, the example provided for Indala in s峁沶g膩ra 鈥淕JI , 褔脿鈥︹��..' is not used in Indala, but in Ve岣纺乨h奴岣穒, on the stage. There is a reason for this: seeing that the heroine is going to hang herself, the maid shouts for help and Jim奴tav膩hana rushes to the scene. The kriya is 'Satvaramupas峁泃ya lat膩p膩艣am膩k峁�ipan'. Here the occasion is one of alarm, and according to rule, Ve岣纺乨h奴岣穒 is used, There is not even the depiction of mudr膩 for this 艣l艒ka; the hero just goes and unties the noose around the heroine's neck. This scene is not s峁沶g膩ra oriented, nor it is sung in Inda岣穉. 233