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Essay name: Hastalaksanadipika a critical edition and study

Author: E. K. Sudha
Affiliation: Government Sanskrit College (Tripunithura) / Department of Sanskrit

This is an English study on the Hastalaksanadipika—a manual depicting the Mudras (gestures) of the Kerala theatre. It is a very popular text supposedly dating to the 10th century A.D. This study also touches the subject of Krsnanattam, Kathakali and Kutiyattam—some of India's oldest theatrical traditions in Kerala.

Chapter 7 - Vacikabhinaya according to Bharata’s Natyasastra

Page:

14 (of 29)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 14 has not been proofread.

On certain occasions, even some middling characters have Indala. For example:- (i) In Pratimānāṭaka, Act II: Bharata's words beginning with suta (ii) (Rāmāyaṇam kramadipikā 8-45 line-3) In Mantränka Yaugandharāyaṇa's slōka, beginning with ' स्नातस्य यस्य समुपति�.... [snātasya yasya samupatita.... ] But middling characters usually have the rāga Cetipañcama 2. Cetipañcama नीचानामप� पात्राणा� बालकानां तथैव � � चेटीपञ्चमराग� स्यान्नेतर� दृश्यत� क्वचित� ।। [nīcānāmapi pātrāṇāṃ bālakānā� tathaiva ca | ceṭīpañcamarāga� syānnetaro dṛśyate kvacit || ] For evil characters and for children, Cetipañcama is employed in ordinary situations. For example, for evil characters: (i) Pratimānāṭaka, Act II, the soldier's words: alg affifandi एतकय्य�..... [ٲ첹ⲹ�..... ] ' (ii) Abhiseka Act III: the words of Raṇabhiru: “…� (iii) Example for children: Sākuntaḷa, Act VII: Sarvadamana's words: 'मुञ्� मा� भा�. [muñca mā� bhāva. ] " 222

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