Essay name: Hastalaksanadipika a critical edition and study
Author:
E. K. Sudha
Affiliation: Government Sanskrit College (Tripunithura) / Department of Sanskrit
This is an English study on the Hastalaksanadipika—a manual depicting the Mudras (gestures) of the Kerala theatre. It is a very popular text supposedly dating to the 10th century A.D. This study also touches the subject of Krsnanattam, Kathakali and Kutiyattam—some of India's oldest theatrical traditions in Kerala.
Chapter 3 - Later developments of dramatic techniques
15 (of 22)
External source: Shodhganga (Repository of Indian theses)
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with it, he introduced in Kerala a similar art from in the name of
Mohiniyāṭṭom. No wonder, therefore, being a devotee and expert in such
forms of art accompanied by facial expressions and various physical
attitudes combined with hastamudras, the Mahārāja thought it fit to
compose a treatise on the Natya called the BRB, in his own name.
CONTENTS AND SOURCES OF THE BRB
The work contains the abhinayas of various parts of the body
such as angas, upāngas and pratyangas, as the main divisions.
Accepting rāga and tāḷa as the external means of expressing bhāvas, the
author deals in detail with the various gestures giving definitions and
applications to one and all of them.
DIVISION OF CONTENTS.
1. PŪRVAPĪṬHIKĀ
At the beginnig of the work the author gives us an introductory
portion, which contains the mangalācaraṇa or invocatory performance
in verse in praise of Unnatanṛtta Vināyaka, Naṭarāja, Pārvatī in dancing
posture and Śri Padmanābha, who appeared as a dancing child before
Divākaramuni. The granthārambhapratijñā or the statement of the
beginning of the work, praises Vanci kingdom with reference to the
author's remote ancestors as already been referred elsewhere and a
reference to the author himself, and his accomplishments
(granthakṛtprasasti). This kind of introductory portion at the beginning
of a work is generally called pūrvapiṭhikā.
