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LATER DEVELOPMENTS OF DRAMATIC TECHNIQUES ABHINAYADARPANA - THE BASIC LAY OUT The AD is a small text describing the various aspects of abhinaya which is the basic concept of Indian dramaturgy. More than 300 slokas are there in the AD. Nandike艣vara, one of the followers of Lord Siva, is said to be the author of the AD. 脛ngik膩bhinaya with its special aspects and varieties is mainly described here. The text starts with the salutations to Lord Siva followed by the origin of Natya (N膩峁瓂艒tpatti). The propagation of Natya (N膩峁瓂aprac膩racaritam), the nature of Na峁瓂a and N峁泃ya, the lord of assembly (sabhanayaka), assembly (sabh膩), stage (rangama峁囜笉apom), danseuse etc. are then described. Next, the fourfold abhinaya - 膧峁単ika, V膩cika, 膧h膩rya and S膩tvika is described. In the Angik膩bhinaya, angas, pratyangas, up膩峁単as, Nine types of head gestures, movements, eight types of abhinaya through the eyes, four types of neck-gestures, 28 asamyutahastas, 23 samyutahastas Brahma, the ten incarnations (of Vis峁噓), the castes like Brahmin, the genders like male and female and relationship are also shown through different hand gestures. Then he describes five hastagatis, 13 n峁泃tahastas and the hastas to denote the navagrahas. The definition of the mandalas, the sth膩nakas, the utp岣穉vanas, bhramaris, c膩ris and gatis are then given. Thus the AD is a text which explain the fourfold abhinaya in general and Angikabhinaya in particular. all these are described in detail. The deities like 89