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Essay name: Hastalaksanadipika a critical edition and study

Author: E. K. Sudha
Affiliation: Government Sanskrit College (Tripunithura) / Department of Sanskrit

This is an English study on the Hastalaksanadipika—a manual depicting the Mudras (gestures) of the Kerala theatre. It is a very popular text supposedly dating to the 10th century A.D. This study also touches the subject of Krsnanattam, Kathakali and Kutiyattam—some of India's oldest theatrical traditions in Kerala.

Chapter 2 - Bharata’s Dramaturgy

Page:

6 (of 56)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 6 has not been proofread.

The upper limit of the NS cannot be fixed with any certainty. Though the NS mentions Viśvakarma on architecture, Pūrvācāryas, Kāmasūstra, Kāmatantra, Bṛhaspati, Nārada, Taṇḍu, Pasupatas, Śabara, Ābhīra, Drāviḍa and Saka, all these details cannot lead to any certain inference about the date of the NS. They only make it probable that the present NS is not much older than the beginning of Christian era. The lower limit can be indicated with more certainty. Taking the examples from Kāvyaprakāśa, Yājñavalkyasmṛti, Saptasati of Satavahana, Kuṭṭanimata, and those of Anandavardhana, Bhavabhūti, Bāṇa Kāḷidāsa, and from old Kanarese inscriptions, Kane asserts that the NS cannot be assigned to a later period than about 300 A.D. Bhasa's plays which have been regarded as earlier to Kalidāsa, do not strictly follow the rites of Bharata's NS. From this it follows that Bhāsa lived before Bharata. But as the periods of Bhasa, Kāḷidāsa, Asvaghōsa etc. are uncertain, it is also uncertain who preceded whom. In that condition the date of Bharata's NS cannot be fixed unless and until the periods of Kāḷidāsa and Bhāsa are decided. It could only be said as much that the present NS cannot be assigned to a later date than 300 A.D. and there is a possibility of its being earlier. It has been stated that the Bharatas produced a play before Indra and others portraying that how the gods vanquished the demons. While quietening the disturbing elements, Brahma explained the nature of Natya. He said that a play portrays the mixed pleasures and pains of the world. 38

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