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The description of the apsaras is also symbolic. It is said that their feet do not touch the earth. It could be interpreted in such a way that the women in Indian concept were given an elevated position. 啶ㄠぞ啶班�嵿く啶膏�嵿い啷� 啶�啷傕�溹�嵿く啶ㄠ�嵿い啷� 啶班ぎ啶ㄠ�嵿い啷� 啶むい啷嵿ぐ 啶︵�囙さ啶むぞ啶� ( [n膩ryastu p奴jyante ramante tatra devat膩岣� (] Manusmrti) is also relevant here. They were even worshipped as goddesses. Another symbolism is the name Vi艣vakarm芒 itself. Vi艣vakarm膩 is the architect of the Devas. Pazaru h煤fa sia fazanf. He is the one who designs the world. Brahma asks him to construct a Natyag峁沨a. He constructs the same, which is a miniature of the world. World is the macrocosm and the NG is the microcosm. NG is the cross section of the world. After constructing the NG he posted Indra as the gatekeeper, Varu峁嘺 in the green room, Vayu and Moon as the securities. Yama for discipline and Kubera as the casheir. He appointed M峁泃yu and Nir峁泃i as the doorkeepers and fixed one spear and stick on the top and bottom respectively. The weapons are warning symbols for negative forces. After the constriction of the NG Vi艣vakarma put a flagstaff, called jarjara there. It is the main part of the NG. In short the introduction of Vi艣vakarma and his actions are symbolic. The name Bharata itself is symbolic. Hundred sons of Bharata are the symbols of the essential components of dramaturgy. The content of the NS can be gone through now. The NS divided into 36 chapters consisting of 6000 verses. Few scholars opine that there are 37 chapters in it. 60