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SPECIAL ASPECT OF BHARATA'S DRAMATURGY THE COMMENDABLE USE OF SYMBOLISM : - The modernists theorise that dance, music and poetry are evolved from the gay abandon in which the primitive man enjoyed himself. Those that believe in this doctrine do not accept the divine nature attributed to Natya Veda or the NS. They have interpreted the divine nature of the NS as only a means of providing a respectable social status to the actors, musicians and dancers since they were at one time relegated to a very low order of the society. It also happened that Bharata did not mention, even as examples, the authors or their plays that were in existence before he wrote his NS, so that he could establish the divine nature of the NS. Whatever may be the background, the fact that this author or compiler is a profound scholar cannot be disputed. ON SYMBOLISM :- Bharata was a great dramatist who gave importance to a high level of symbolism. One can note this right through the NS. For example, in the first chapter there is a description of Indra along with the dikp膩lakas (the Lords of the Quarters) meeting Lord Brahma and requesting for the synthesis of a fifth Veda which should be entertaining. As per their own words. 啶曕�嵿ぐ啷�啶∴え啷�啶�啶曕ぎ啶苦�氞�嵿�涏ぞ啶�啷� 啶︵�冟ざ啷嵿く啶� 啶多�嵿ぐ啶掂�嵿く啶� 啶� 啶�啶む�� 啶�啶掂�囙い啷� 啷� 啶� 啶掂�囙う啶掂�嵿く啶掂す啶距ぐ啷嬥そ啶�啶� 啶膏�傕ざ啷嵿ぐ啶距さ啷嵿く啶� 啶多�傕う啷嵿ぐ啶溹ぞ啶むた啶粪�� 啷� 啷� 啶むじ啷嵿ぎ啶距い啷� 啶膏�冟�溹ぞ啶�啶班�� 啶掂�囙う啶� 啶�啶炧�嵿�氞ぎ啶� 啶膏ぞ啶班�嵿さ啶掂ぐ啷嵿ぃ啶苦�曕ぎ啷� 啷むイ [kr墨岣峚n墨yakamicch膩mo d峁浥泍a峁� 艣ravya峁� ca yat bhavet | na vedavyavah膩ro'ya峁� sa峁兣況膩vya岣� 艣奴draj膩ti峁�u | | tasm膩t s峁沯膩para峁� veda峁� pa帽cama峁� s膩rvavar峁噄kam || ] 53