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the mudr膩s. At the same time it follows the NS also. This may be because of the fact that they follow a text known as 啶灌じ啷嵿い啶�啷佮う啷嵿ぐ啶距う啷�啶�啶苦�曕ぞ ( [hastamudr膩d墨pik膩 (] Which is popular as 啶灌じ啷嵿い啶侧�曕�嵿し啶｀う啷�啶�啶苦�曕ぞ) [丑补蝉迟补濒补办峁�a峁嘺诲墨辫颈办腻) ] for the delineation of the mudras. ( Some experts opine that the mudr膩s used in Kerala theatre are codified and made into the form of a text, by an unknown author). This fact is clearly expressed through the performance of K奴峁璱y膩峁�峁璷m, Kathaka岣穒 etc.. Hastalak峁�a峁嘺dipik膩 is an ancient text depicting the mudras. Date of the text is supposed to be 10" century A.D.. The author, as already mentioned, is unknown. Most of the scholars believe that the author must be a Keralite. No serious study has yet been done on this work. The HLD enlists 24 mudr膩s to be used by single hand (asamyuta) or both hands (samyuta). Most of the mudr膩s bear names similar to those found in the NS. But their applications (viniyogas) are entirely different. th According to the HLD the 24 mudr膩s are. 啶灌じ啷嵿い啶� 啶�啶むぞ啶曕�� 啶�啷佮う啷嵿ぐ啶距�栢�嵿く啶� 啶曕�熰�曕�� 啶�啷佮し啷嵿�熰た啶班た啶む�嵿く啶�啶� 啷� 啶曕ぐ啷嵿い啶班��啶�啷佮�栢じ啶傕�溹�嵿�炧ざ啷嵿�� 啶多�佮�曕い啷佮ぃ啷嵿ぁ啶� 啶曕お啶苦い啷嵿ぅ啶曕�� 啷むイ 啶灌�傕じ啶�啶曕�嵿し啶多�嵿�� 啶多た啶栢ぐ啷� 啶灌�傕じ啶距じ啷嵿く啶� 啶�啷佮え啶班�炧�嵿�溹げ啶苦�� 啷� [hasta岣� pat膩ko mudr膩khya岣� ka峁璦ko mu峁ａ弓irityapi | kartar墨mukhasa峁僯帽a艣ca 艣ukatu峁囜笉a岣� kapitthaka岣� || ha峁僺apak峁�a艣ca 艣ikharo ha峁僺膩sya岣� punara帽jali岣� | ] 24 啶呧ぐ啷嵿ぇ啶氞え啷嵿う啷嵿ぐ啶多�嵿�� 啶�啷佮�曕�佮ぐ啷� 啶�啷嵿ぐ啶�啶班じ啷嵿じ啷傕�氞た啶曕ぞ啶�啷佮�栢�� 啷�
啶�啶侧�嵿げ啶掂じ啷嵿い啷嵿ぐ啶苦お啶むぞ啶曕ざ啷嵿�� 啶�啷冟�椸ざ啷�啶班�嵿し啶距す啷嵿さ啶�啶膏�嵿い啶ム�� 啷�
啶�啷佮え啶膏�嵿じ啶班�嵿お啶多た啶班じ啷嵿じ啶傕�溹�嵿�炧�� 啶掂ぐ啷嵿ぇ啶�啶距え啶� 啶囙い啷嵿く啶�啶� 啷むイ
啶呧ぐ啶距げ 啶娻ぐ啷嵿ぃ啶ㄠぞ啶�啶多�嵿�� 啶�啷佮�曕�佮げ啶� 啶曕�熰�曕ぞ啶�啷佮�栢�� 啷�
啶氞い啷佮ぐ啷嵿さ啶苦�傕ざ啶むた啶班た啶む�嵿く啷囙い啷� 啶曕ぐ啶距ざ啷嵿ざ啶距じ啷嵿い啷嵿ぐ啶溹�嵿�炧じ啶�啷嵿ぎ啶むぞ啶� 啷むイ [ardhacandra艣ca mukuro bhramarass奴cik膩mukha岣� |
pallavastripat膩ka艣ca m峁沢a艣墨r峁Ｄ乭vayastath膩 |
punassarpa艣irassa峁僯帽o vardham膩naka ityapi ||
ar膩la 奴r峁嘺n膩bha艣ca mukula岣� ka峁璦k膩mukha岣� |
caturvi峁兣沘tirityete kar膩艣艣膩straj帽asammat膩岣� || ] TNN I 2-5
A mudr膩 has a beginning, a course and an end or fulfil ment.