Essay name: Goddesses from the Samhitas to the Sutras
Author:
Rajeshri Goswami
Affiliation: Jadavpur University / Department of Sanskrit
This essay studies the Goddesses from the Samhitas to the Sutras. In short, this thesis examines Vedic goddesses by analyzing their images, functions, and social positions. It further details how natural and abstract elements were personified as goddesses, whose characteristics evolved with societal changes.
Chapter 1
103 (of 144)
External source: Shodhganga (Repository of Indian theses)
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++ 122 the Mahāyāno-pantheon. Dr. Chatterji writing on these goddesses
in the Far East has connected them with their Indian counterpart
Sri or Lakṣmi. These are goddesses of plenty and beauty?
Almost everywhere the figures corresponding to Laksmi hold a
sheaf of corn, or the Greek cornucopia in her hand, as Dr. Chatterji.
found in the case of the Indo-Chinese figure.
The hymn to Sri also mentions two objects that come to be
consistently associated with śri throughout her history, the
lotus and the elephant. She is seated on a lotus, is the colour
of a lotus (V 4), appears like a lotus (V 5) is covered with
lotuses and wears a garland of lotuses (V 14). Throughout her
history, in fact, Sri-Lakemi is often called Padma and Kamala
"lotus". The popularity of the lotus in Indian art and icono-
graphy, both Buddhist and Hindu, suggests a complex and multivalent
meaning associated with the lotus.
As expressive of Sri-Laksmi's nature, two general meanings
seem apparent. Firstly, the lotus is a symbol of fertility and
life which is rooted in and takes its strength from the primordial
waters? Her association with the lotus, a symbol of fertility
again establishes her as a mother-goddess.
The lotus symbolises
vegetative growth that has distilled the life-giving power of
i
2 Dr. S.K. Chatterji, "A Brahmanical deity in Indo-China and
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3 F.D.K. Bosch, "The Golden Germ" Gravenhage : Mouton, 1960,
pp. 81-82.
