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consisting of 34 couplets from ka to k峁�a successively, is an unique creation of Odisha which is rare in other parts of the country.16 But in this caupadi-cauti艣膩 only the letters like ca, bha, va, ma, k峁�a are written in caupadi style. The other letters are having five to seven-steps. So it will be better to say this poem as giticauti艣膩 in spite of caupadi-cauti艣膩. But the popularity of this camp奴 as a caupadi can't be ignored. 17 According to Janaki Vallabha Mohanty- The diction of combining Sanskrit camp奴 with O岣峣茫 songs is established in the Odia literature after the KCC 18 The presence of campu in O岣峣膩 literature was discussed by Pandit B膩n膩mbara Ac膩rya for the first time. He explained that - It was written in the Sangitaratn膩kara岣� that from the six integral parts of the Prabandha, if any two are found in a poem that is known as T膩r膩val墨. The other name of that poem is camp奴.19 In this context Gaurikumar Brahma opines - "I think according to the rhetoricians the writing of prose mixed with poetry should be in one language. I have not seen a camp奴 having two or more than two languages". 20 But it is proved by the introduction of Nalacamp奴 that camp奴 can be written in different languages or by mixing of more than two languages. 21 Kavis奴rya has written the KCC by mixing the Sanskrit with the O岣峣膩 language and he has not done any prohibited or blamed work. According to Trinatha Pattanaik- "Kavis奴rya had started writting the campu in Sanskrit by proselines and verses. Then he added 16. Benerji, P., Evolution of Sanskrit lyric poetry of Odisha, p.146 17. Behera, K.C., Ki艣oracandr膩nandacamp奴, p.112 18. Chatterji, S.K., Kavis奴rya Baladeva Ratha O Ki艣oracandr膩nandacamp疟 (Odia), p.6 19. Ibid, p.7 20. Ibid, p.9 21. Ibid, p.9 94