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Da艣膩vatara and other themes taken from Gg are very popular with the beautiful
paintings of typical Odishan style. Kha峁嘾u膩, a handloom Saree with verses
from Gg woven by the local weavers of Puri and nearby is still used by Lord
Jagannatha, the god of Odisha. History says, it is a tested truth that if you can
catch the religious thread of the Indian people, they are conquered. Jayadeva
did the same and yielded the optimum to cherish the dream of Nimbark.
Literature is a yugasandhi or depending upon the mundane period of
years. It changes along with the period of the time. During the first period of
nineteenth century two streams of O岣峣膩 literature going parallel. The former
was the flow of ancient and medieval poetry and the later was the new born
modern poetry nourished by Western influence. The ancient stream of O岣峣膩
literature was running smoothly carrying the heavy impact of Sanskrit literature
till the last session of the nineteenth century. Soon after when the western
influenced modern poetry was increasingly pervaded the ancient stream could
not resist more. Kavis奴rya Baladeva Ratha may be approved as the last
descendent of the ancient stream. The poets of that era presented R膩dh膩 and
K峁涐梗峁嘺 decorated with mainly characteristics and this new style was prevailed in
various forms of literature. Kavis奴rya, by the impact of surrounding might be
bound and plated his poetic hero and heroine by the coating of modern
prevailing style with full sense. During the time of Kavis奴rya Baladeva the
indication of revolution against the following of traditional pattern of poetry was
very clear. Probably his Ki艣oracandr膩nandacamp奴 was intended for a
connection between the medieval poetry and modern literature. It contains
thirty-eight Sanskrit verses, thirty-five prose passages in Sanskrit followed by