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Essay name: Bhasa (critical and historical study)

Author: A. D. Pusalker

This book studies Bhasa, the author of thirteen plays ascribed found in the Trivandrum Sanskrit Series. These works largely adhere to the rules of traditional Indian theatrics known as Natya-Shastra.

Page 107 of: Bhasa (critical and historical study)

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107 (of 564)


External source: Shodhganga (Repository of Indian theses)


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87
and Bhagavata PurÄṇas also are ruled out as "none of
these works as we have it, is probably older than BhÄsa."1
But we have already found BhÄsa to be indebted to the
epic, of which the Harivamsa forms an appendix. It
seems therefore that his source for the Kṛṣṇa story was
an earlier version on which the Harivamsa and the
As in the Dv, the weapons appear
Puranas are based.
in human form in the BÄl also.
(iii) Out of the RÄmÄyaṇa plays, the PratimÄ
draws its inspiration from the second and third books of
the RÄmÄyaṇa. The poet takes only the story, but builds
a superstructure of his own. The statue-house, the
genealogy of Rama, the abduction of SÄ«tÄ by RÄvaṇa under
the guise of an expert on SrÄddha, and the absence of
Laká¹£maṇa at the time, and RÄma's coronation in the
penance forest are the poet's departures from the epic.
He has further presented RÄma, ŚītÄ, DaÅ›aratha, Bharata,
Kaikeyi, etc. on a higher level than in the epic.
The Abhiseka Nataka deals with the story as given
in the Kiá¹£kindhã, Sundara, and Yuddha KÄṇá¸as of the
RÄmÄyaṇa, and follows the epic very closely. The most
striking divergence from the epic, however, is the manner
in which the waters of the ocean are divided to provide
way
for the Lord. The Abh deals with the ha
of Rama and according to Dr. Keith, "is a somewhat
dreary summary of the corresponding books (4-6) of the
RÄmÄyaṇa". Hence we may conclude with a good deal
of certainty that the story in the epic is the mainstay for
the two RÄma plays. "It seems possible that our
dramatist had known only the older or shorter redaction
of the epos which did not include the BÄlakÄṇá¸a and
the UttarakÄṇá¸a".
(iv) Coming to the Udayana or historical plays, we
find it asserted that the BrhatkathÄ of GuṇÄdhya is the
source of BhÄsa.* The work being referrable to the first
century B. C., conflicts with the date we have assigned to
BhÄsa. Further, we find many discrepancies between the
Brhatkatha (as we take it from its copies, the
KathÄsaritsÄgara and Bá¹›hatkathÄmañjarÄ«) and the two
plays. The elephant incident as given in the former is
1 Keith, SD, p. 100, 2 Sarup, HR, 50, p. 118. 3 SD, p. 105. 4
Meerwarth, JASB, 1917, p. 279. 5 Keith, SD, pp. 102-103; Winternitz, Problems,
p. 113.

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