Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楿ttama, Madhyama and Adhama of Abhisarika鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
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Part 15 - 鲍迟迟补尘腻, 惭补诲丑测补尘腻 and 础诲丑补尘腻 of 础产丑颈蝉腻谤颈办腻
Examples of the 鲍迟迟补尘腻, 惭补诲丑测补尘腻 and 础诲丑补尘腻 of the 础产丑颈蝉腻谤颈办腻 character of woman heroine:
啶呧き啶苦じ啶距ぐ啶苦啶距く啶距 啶曕ぅ啶た啶むた 啶氞啶む 啶︵啶灌 啶掂た啶膏啶啶む啶� 啶膏ぞ啶灌じ啷堗啶膏す啶距く啶� 啶ぞ啶た啶膏ぐ啶むた 啶膏啶む啶むぎ啶� 啷� 啶囙く啶啶� 啶曕ぞ啶ぞ啶た啶膏ぞ啶班た啶曕ぞ 啷� 啶膏す啶距く啷囙え 啶ぞ啶た啶膏ぐ啶むた 啶膏ぞ 啶ぇ啷嵿く啶ぞ 啷� 啶膏ぎ啶 啶ㄠた啶班啶曕啶粪啶� 啶ぞ啶た啶膏ぐ啶むた 啶膏ぞ 啶呧ぇ啶ぞ 啷�
abhis膩rik膩y膩峁� kathamiti cet deha峁� vism峁泃ya s膩hasaikasah膩y膩 y膩bhisarati sottam膩 | iyameva 办腻尘腻产丑颈蝉腻谤颈办腻 | sah膩yena y膩bhisarati s膩 madhyam膩 | samaya峁� nir墨k峁a y膩bhisarati s膩 adham膩 |[1]
鲍迟迟补尘腻 is one who forgets her body and goes forth with bravery as her only escort; this is the type known as 碍腻尘腻产丑颈蝉腻谤颈办腻. 惭补诲丑测补尘腻 is the one who goes to the tryst along with an escort. 础诲丑补尘腻 is the one who waits for the convenient time and then goes to her lover.
Here, the base of classification is not same. If going alone seems to be 鲍迟迟补尘腻, then going with a sakhi is 惭补诲丑测补尘腻 then logically going as group should have been the 础诲丑补尘腻 while the sudden use of time quotient is found. Also mentioning that only a 办腻尘腻产丑颈蝉腻谤颈办腻 is an 鲍迟迟补尘腻 is not the correct methodology of classification, as this presupposes that all other divisions are not 鲍迟迟补尘腻.
Footnotes and references:
[1]:
Ibid., 40.