Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楨xamples of Samanya Khandita鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
Go directly to: Footnotes.
Part 10 - Examples of 厂腻尘腻苍测腻 碍丑补峁囜笉颈迟腻
Examples of the 厂腻尘腻苍测腻 variety of the 碍丑补峁囜笉颈迟腻 character of woman heroine:
啶夃ぐ啶膏啶むさ 啶く啷嬥ぇ啶班ぞ啶權啶曕た啶むぎ啶苦う啶� 啶曕啶む 啶 啶曕啶粪ぎ啶� 啶むい啷� 啶掂じ啷� 啶ㄠた啶о啶い啶距 啶く啶� 啶啶班ぞ 啶う啶權啶椸啶曕啶むぎ啷� 啷�
啶囙い啶� 啶啶班啶侧啷囙い啶膏 啶啶班た啶い啶じ啷嵿く 啶掂ぞ啶班じ啷嵿い啷嵿ぐ啶苦く啶� 啶曕啶掂ぃ啶む啶曕え啶曕啶權啶曕ぃ啶� 啶曕ぐ啶むげ啶距い啷� 啶膏ぎ啶距啷冟し啷嵿く啶む 啷�urastava payodhar膩峁卥itamida峁� kuto me k峁m膩 tato vasu nidh墨yat膩峁� mayi pur膩 yada峁単墨k峁泃am |
iti pracalacetasa岣� priyatamasya v膩rastriy膩 kva峁嘺tkanakaka峁卥a峁嘺峁� karatal膩t sam膩k峁涐梗yate ||[1]O! Cheat! How can I pardon you when I can see the marks of another lady鈥檚 bosom? Hence give me the earlier promised riches. Saying thus, the courtesan snatched the jingling bangle from the hand of the fickle minded hero.
啶啶班ぞ啶む 啶啶班が啶距げ啶ぃ啶苦え啶� 啶ぃ啶苦ぎ啶距げ啶ぞ 啶� 啶掂啶曕啶粪啶� 啶啶班じ啶距ぇ啶苦い啶むえ啷佮 啶むぎ啷佮お啷囙く啶苦さ啶距啶膏ぎ啷� 啷�
啶むじ啷嵿く啶距お啶班ぞ啶掂く啶掂さ啶班啶むた啶た啶班ぐ啷嵿う啷嵿啶氞え啷嵿う啷嵿ぐ啷� -啶班啶掂ぞ啶班ぞ啶權啶椸え啶距す啷冟う啶啶� 啶掂啶啶啶膏啶むう啶距ざ啶距 啷�pr膩ta岣� prab膩lama峁噄n膩 ma峁噄m膩lay膩 ca v墨k峁a pras膩dhitatanu峁� tamupeyiv膩峁僺am |
tasy膩par膩vayavavartibhirardghacandrai -rv膩r膩峁単an膩h峁沝ayag膩 vyagama峁僺tad膩艣膩岣� ||[2]In morning, seeing the satiated body, the necklace and the half moon marks made by the other woman, the courtesan鈥檚 hopes shattered.
Footnotes and references:
[1]:
Ibid., xlviii. 129.
[2]:
搁补蝉补肠补苍诲谤颈办腻, 25.