Essay name: Alankara Sastra (English study)
Author:
V. Raghavan
Affiliation: University of Madras / Department of Sanskrit
This book studies some concepts of Alankara Sastra, also known as “Lakshana� or “Bhusana�, and refers to the study of poetic and dramaturgical adornments as detailed in ancient Indian texts, particularly those on poetics and dramaturgy. The concept is attributed to various scholars, with significant contributions from Bharata in his work, the Natya Sastra.
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172
SOME CONCEPTS OF ALAŃKĀRA S'ĀSTRA
� एवाक्षरविन्यासास्त� एव पदपङ्क्तयः �
पुंस� पुंस� विशेषे� कापि कापि सरस्वती ||
[ta evākṣaravinyāsāstā eva padapaṅktaya� |
puṃsi puṃsi viśeṣeṇa kāpi kāpi sarasvatī ||
] As explained by Bhoja,
Ibid., p. 12, lines 1-2.
रीङ् गतावित� धातोस्सा व्युत्पत्त्य� रीतिरुच्यत� � [rī� gatāviti dhātossā vyutpattyā rītirucyate | ] S. K. ā., II. 17.
Rīti is the characteristic way of a writer. The other words
used as synonyms are Gati, Mārga, Panthā� and Prasthāna.
In Tamil and especially while our Rasikas appreciate our
musicians, we hear of the particular Panthā, Vali or Naḍai
of each artist. All these words mean style. A poet of mark
has a style. To posses a distinct style is to be a poet of mark.
सत्यर्थे सत्स� शब्देष� सत� चाक्षरडम्बरे �
शोभत� यं विना नोक्ति� � पन्थ� इत� घुप्यत� | [satyarthe satsu śabdeṣu sati cākṣaraḍambare |
śobhate ya� vinā nokti� sa panthā iti ghupyate | ] 1. 10.
अन्धास्त� कवयो येषा� पन्थाः क्षुण्णः परैर्भवेत् �
परेषां तु यदाक्रान्त� पन्थास्त� कविकुञ्जरा� � [andhāste kavayo yeṣāṃ panthā� kṣuṇṇa� parairbhavet |
pareṣāṃ tu yadākrānta� panthāste kavikuñjarā� || ] 1. 17.
- Nilakantha Diksita, Gangāvatarana Kāvya.
