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Appayya D墨k峁Ｄ玹a probably flourished between the last half of the 16th century and the beginning of the 17th century. He is famous in Sanskrit Poetics for his three works鈥攖he 鈥�碍耻惫补濒补测腻苍补苍诲补鈥�, the 鈥�颁颈迟谤补尘墨尘腻峁僺腻鈥� and the 鈥�痴峁泃迟颈谤补迟苍补办补谤补鈥�. The 碍耻惫补濒补测腻苍补苍诲补 is directly based on the 补濒补峁僰腻谤补 portion of Jayadeva鈥檚 鈥�颁补苍诲谤腻濒辞办补鈥�^[1] . The aim of this work as mentioned by the author himself is to create a lucid manual of the characteristics and definitions of 补濒补峁僰腻谤补s for the beginners of Poetics^[2] . Though following Jayadeva, Appayya has mostly rewritten many of the definitions and examples of the 颁补苍诲谤腻濒辞办补. He has also illustrated some additional figures to 颁补苍诲谤腻濒辞办补 in his work taking the total number of figures to one hundred and seventeen (117) excluding 蝉补峁僺峁涐梗峁璱 and 蝉补峁僰补谤补. This is perhaps the largest number of figures illustrated in any work of Sanskrit Poetics.

The 颁颈迟谤补尘墨尘腻峁僺腻 of the author is also a manual of Sanskrit figures but it has a more independent nature. Both the 碍耻惫补濒补测腻苍补苍诲补 and the 颁颈迟谤补尘墨尘腻峁僺腻 have been fairly criticised by the later rhetoricians and commentators. 闯补驳补苍苍腻迟丑补 has criticised Appayya in 颁颈迟谤补尘墨尘腻峁僺腻kha峁囜笉ana and 搁补蝉补驳补峁単腻诲丑补谤补 while the commentator 叠丑墨尘补蝉别苍补 has also slammed Appayya鈥檚 point of view in his 碍耻惫补濒补测腻苍补苍诲补kha峁囜笉ana.