Sahitya-kaumudi by Baladeva Vidyabhushana
by Gaurapada Dāsa | 2015 | 234,703 words
Baladeva Vidyabhusana’s Sahitya-kaumudi covers all aspects of poetical theory except the topic of dramaturgy. All the definitions of poetical concepts are taken from Mammata’s Kavya-prakasha, the most authoritative work on Sanskrit poetical rhetoric. Baladeva Vidyabhushana added the eleventh chapter, where he expounds additional ornaments from Visv...
Text 8.7
अथ गु�-भेदम� आह,
atha guṇa-bhedam āha,
Now he mentions the varieties of ṇa,
ܰⲹuja�-prasādākhyās trayas te na punar daśa ||8.68ab||
There are three ṇa, called ܰⲹ (sweetness, melting), ojas (vigor), and 岹 (clarity), and not ten (8.12).
Commentary:
Bharata Muni stated ten ṇa. Bhāmaha only accepted three of them. 峾Բ kept the names of Bharata muni’s ṇa and changed some definitions. ĀԲԻ岹Բ followed Bhāmaha. From here to text 8.20, Mammaṭa perfects ĀԲԻ岹Բ’s methodology in this regard also by repudiating 峾Բ’s manner of categorizing the ṇa. The particulars of ܰⲹ, ojas and 岹 are mentioned afterward (8.20-26).