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Sahitya-kaumudi by Baladeva Vidyabhushana

by Gaurapada Dāsa | 2015 | 234,703 words

Baladeva Vidyabhusana’s Sahitya-kaumudi covers all aspects of poetical theory except the topic of dramaturgy. All the definitions of poetical concepts are taken from Mammata’s Kavya-prakasha, the most authoritative work on Sanskrit poetical rhetoric. Baladeva Vidyabhushana added the eleventh chapter, where he expounds additional ornaments from Visv...

अथ गु�-भेदम� आह,

atha guṇa-bhedam āha,

Now he mentions the varieties of ṇa,

ܰⲹuja�-prasādākhyās trayas te na punar daśa ||8.68ab||

There are three ṇa, called ܰⲹ (sweetness, melting), ojas (vigor), and (clarity), and not ten (8.12).

Commentary:

Bharata Muni stated ten ṇa. Bhāmaha only accepted three of them. 峾Բ kept the names of Bharata muni’s ṇa and changed some definitions. ĀԲԻ岹󲹲Բ followed Bhāmaha. From here to text 8.20, Mammaṭa perfects ĀԲԻ岹󲹲Բ’s methodology in this regard also by repudiating 峾Բ’s manner of categorizing the ṇa. The particulars of ܰⲹ, ojas and are mentioned afterward (8.20-26).

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