365bet娱乐

NOTES: CHAPTER SEVEN 465 43 That is, after purifying the mind through the
practice of the yoga of action and further preparing it
through the yoga of knowledge, which here includes
meditative yoga and s膩dhanabhakti.
44sth膩yibh膩va, a permanent mental impression of an
emotional state. See sec. XVII and chap. 6, passim.
45 Sanskrit has many words for love. The most
frequently used in this text is preman, which suggests an
ecstatic, selfless love for God. I translate preman as
"love" or "ecstatic love," and when this is done no note is
given. But in cases where "love" is the translation of
another term, reference is made to the notes where the
Sanskrit will be found.
"
鈽愨槓
"1
In
Here the word is rati which, depending on the
context, has various shades of meaning such as "delight,'
"joy, enjoyment, or "amorous love." In classical
aesthetic theory, it is associated with the sentiment of
erotic love (艣r墨g膩ra) as the sth膩yibh膩va of the latter.
the exposition of bhaktirasa given by both the Bengal
Vai峁ａ箛avas and Madhusudana, rati is the sth膩yibh膩va, and
nascent state, of premabhakti. Madhusudana calls the
initial stage of devotion the "sprout of love"
(ratya峁卥urotpatti). See stanza 35 and note 291, pt. V; also
chaps. 4.3.4-5, 6.4-5.
11 rasa is
46 rasa, "sentiment." In this translation,
invariably translated as "sentiment. For a discussion of
rasa theory and its application to bhakti, see chap. 6.
47. vibh膩vas, "objective causes," the external object
and associated qualities which serve to arouse the latent
emotion of the sth膩yibh膩va into full manifestation as a
rasa. The alambanavibh膩va ("primary objective cause") is
the figure who is the main focus of the sentiment, e.g., the
hero or heroine of a drama or, in devotion, Lord K峁涐梗峁嘺. The
uddipanavibh膩vas ("exciting objective causes") are the
personal qualities and accessories, such as the beautiful
garments, perfumes, and other paraphernalia connected with
the primary figure, that serve to enhance the mood. JIva
Gosv膩min mentions some 85 udd墨panavibh膩vas of K峁涐梗峁嘺rati,
including the Lord's beauty, smile, sweet fragrance, crown,
and flute, his armlets and anklets, the garlands that adorn
his neck, his footprints, and so on (De, VFM, 140-141).
48-
Banubh膩vas, "outward signs" or "effects," the
physical manifestations of the rising emotion, such as
laughing, crying, singing, dancing, and other actions of the
characters, which make the internal emotion of the actors
visible and communicate it to the audience. See De, VFM, p.
141.