Essay name: Bhakti-rasayana by Madhusudana Sarasvati
Author:
Lance Edward Nelson
Affiliation: McMaster University / Religious Studies
This is a study and English translation of the Bhakti-rasayana by Madhusudana Sarasvati (16th century)—one of the greatest and most vigorous exponents of Advaita after Shankara-Acharya who was also a great devotee of Krishna. The Bhaktirasayana attempts to merge non-dualist metaphysics with the ecstatic devotion of the Bhagavata Purana, by asserting that Bhakti is the highest goal of life and by arguinng that Bhakti embodies God within the devotee's mind.
Page 247 of: Bhakti-rasayana by Madhusudana Sarasvati
247 (of 553)
External source: Shodhganga (Repository of Indian theses)
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more intimately in the bliss of the "essential nature"
(svarupa) of God. It is therefore an "even greater"
sentiment. Although one wishes here even more earnestly
than elsewhere in the second and third chapters of the BR
for a commentary to provide further elucidation of
Madhusudana's meaning, his elevation of the tranquil bhakti
of the renunciates above the passionate rasa of the gopīs,
and in this his flagrant violation of hallowed Vaiṣṇava
precedent, is clear enough.
94 The last and certainly not the least important idea
introduced here is contained in the enigmatic attribution to
suddhabhakti of "only one form" (ekarūpa). Pandeya, the
author of the Hindi commentary, explains this as meaning
that suddhabhakti is experienced only in the mode of union
or consummation (sambhoga) and not, as in the case of
sá¹›ÄgÄra, in the two forms of union and separation (vipra-
lamba).95
If this is Madhusūdana's intention, as seems
likely, it is difficult to avoid the conclusion that, at the
pinnacle of his scheme of devotion, he is allowing a
dramatic resurgence of the spirit of Advaita. The ecstatic
pain of love-in-separation, while an essential ingredient of
gopi-bhakti and a vital element in the traditional Kṛṣṇaite
understanding of preman and mahÄbhÄva, is ultimately
96 eliminated in Madhusūdana's version of suddhabhakti.
