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[Full title: Nataraja, Kerala School, Ettumanur/Ettumanoor, 16th century]

There are other paintings from the temples at Tiruvanchikulam (Thiruvanchikulam), Triprayar, Ettumanur (Ettumanoor) and others of special interest illustrating the most important features of this phase of art.
The large painting of ±·²¹á¹­a°ùÄåÂá²¹ of Ettumanur which is a difficult but well achieved composition and Åš±ðá¹£aÅ›Äå²âÄ« ³Õ¾±á¹£á¹‡³Ü, another large panel of the special form of recumbant ³Õ¾±á¹£á¹‡³Ü with only two arms in this area, as at Mahabalipuram in the seventh century Pallava sculptural representation, but with his right hand extended to adore a Å›¾±±¹²¹±ô¾±á¹…g²¹, is all specially noteworthy in this school of painting.

Gallery information:

This plate is contained in the book “Vijayanagara Paintingsâ€�, a valuable aid to the understanding of Indian iconography (also known as Å›¾±±ô±è²¹Å›Äå²õ³Ù°ù²¹). The Vijayanagara empire was established in 1335 by Harihara, Harihara, Kaṃpa and Bukka (sons of Saá¹…gama) and grew to be a dominant power in the South. Painting has been considered in the CitrasÅ«tra of the ³Õ¾±á¹£á¹‡³Üdharmottara, the early standard text on painting, as the premier art.