Vidyeshvara, ³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹, Vidya-ishvara: 6 definitions
Introduction:
Vidyeshvara means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term ³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹ can be transliterated into English as Vidyesvara or Vidyeshvara, using the IAST transliteration scheme (?).
In Hinduism
Shilpashastra (iconography)
Source: Wisdom Library: Elements of Hindu Iconograpy³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹ (विदà¥à¤¯à¥‡à¤¶à¥à¤µà¤°) are the beings through whom the lower order of beings should attain higher evolutionary stages. The ±¹¾±ÂáñÄå²Ô²¹°ì²¹±ô²¹ souls that have their mala in a high state of paripakva are those of the eight ³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹s and next to them come the ²Ñ²¹²Ô³Ù°ù±ðÅ›±¹²¹°ù²¹²õ. Having been given pure body, deeds, bhuvanas and enjoyments (Å›³Ü»å»å³ó²¹-³Ù²¹²Ô³Ü, °ì²¹°ù²¹á¹‡a, bhuvana, bhoga), these slowly get rid of their mala, by the destructive action of Åšiva.
There are eight ±¹¾±»å²â±ðÅ›±¹²¹°ù²¹²õ defined each having different colours:
- Ananteśa (blood-red),
- Sūkṣma (white),
- Åšivottama (blue),
- Ekanetra (yellow),
- Ekarudra (black),
- Trimūrti (crimson),
- ÅšrÄ«kaṇá¹ha (another kind of red),
- Åšikhaṇá¸i (dark-brown).
When depicting them, their figures should have each one face with three eyes, adorned with a Âá²¹á¹Äm²¹°ì³Üá¹a, ²â²¹Âáñ´Ç±è²¹±¹Ä«³Ù²¹ and all other ornaments.
The PÅ«rvakÄraṇÄgama says they should carry in their back hands the śū±ô²¹ and the á¹aá¹…k²¹ and keep their front ones in the varada and abhaya poses. But the Viṣṇudharmottara states that their front hands should be kept in the ²¹Ã±Âá²¹±ô¾± pose, and the back ones should carry the ²úÄåṇa and the triśū±ô²¹. Detailed descriptions of each of these ±¹¾±»å²â±ðÅ›±¹²¹°ù²¹²õ are found in the AṃśumadbhedÄgama.
These ±¹¾±»å²â±ðÅ›±¹²¹°ù²¹²õ, in conjunction with the Åšaktis (e.g., VÄmÄ, Jyeá¹£á¹hÄ RaudrÄ«, KÄlÄ«, KalavikaraṇÄ�, BalavikaraṇÄ�, BalapramathanÄ« and SarvabhÅ«tadamanÄ«) are made by ParamaÅ›iva to create the universe. It may be noted that all these eight aspects of Åšiva pacific in their nature and are residents of the pure regions (Å›³Ü»å»å³ó²¹²ú³ó²¹±¹²¹²Ô²¹)

Shilpashastra (शिलà¥à¤ªà¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, Å›ilpaÅ›Ästra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Purana and Itihasa (epic history)
: archive.org: Shiva Purana - English Translation³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹ (विदà¥à¤¯à¥‡à¤¶à¥à¤µà¤°) or ³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹saṃhitÄ refers to one of the seven books (²õ²¹á¹ƒh¾±³ÙÄå²õ) of the Åšiva-purÄṇa, according to the ÅšivapurÄṇa-mÄhÄtmya 1.30-34.—“[...] This work consists of twenty-four thousand verses divided into seven ²õ²¹á¹ƒh¾±³ÙÄå²õ (compendiums) [viz., ±¹¾±»å²â±ðÅ›±¹²¹°ù²¹-²õ²¹á¹ƒh¾±³ÙÄå]. The three kinds of Devotion [(1) by meditation, (2) recital of prayer and (3) acts of worship and service] are fully explained in it. It must be listened to with great respect. [...] This divine PurÄṇa of seven ²õ²¹á¹ƒh¾±³ÙÄå²õ and called after Åšiva stands on an equal footing with Brahman (i.e. Vedic Texts) and accords an achievement that is superior to everything else. He who reads the entire ÅšivapurÄṇa without omitting any of the seven ²õ²¹á¹ƒh¾±³ÙÄå²õ can be called a JÄ«vanmukta (a living liberated soul)â€�.

The Purana (पà¥à¤°à¤¾à¤�, purÄṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Shaktism (Shakta philosophy)
: Google Books: Manthanabhairavatantram³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹ (विदà¥à¤¯à¥‡à¤¶à¥à¤µà¤°) and UttamÄ (or Mahı¹¾±»å²âÄå) refers to the pair of God and Goddess appearing in the sixteenth Kalpa (aeon), according to the Kularatnoddyota.—Chapter nine of the Kularatnoddyota opens with the goddess asking how the Kula tradition (°ì³Ü±ôÄå³¾²ÔÄå²â²¹) will be worshipped along with its mantras and VidyÄs and who will bring it down (²¹±¹²¹³ÙÄå°ù²¹°ì²¹) into the world in the various cosmic aeons (kalpa). After explaining that it is brought down into the world by incarnations or aspects of both the god and the goddess (²¹á¹ƒÅ›a³¾Äå³Ù°ù²¹), the god goes on to list the names of these aspects—a goddess and her consort [i.e., Mahı¹¾±»å²âÄå—³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹]—in nineteen aeons (kalpa), many of which we recognize from the earlier version in the TantrasadbhÄva.â€�(cf. JayadrathayÄmala-tantra of the KÄpÄlikas).

Shakta (शाकà¥à¤�, Å›Äkta) or Shaktism (Å›Äktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹ (विदà¥à¤¯à¥‡à¤¶à¥à¤µà¤°).—Name of Åšiva.
Derivable forms: ±¹¾±»å²â±ðÅ›±¹²¹°ù²¹á¸� (विदà¥à¤¯à¥‡à¤¶à¥à¤µà¤°à¤�).
³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹ is a Sanskrit compound consisting of the terms ±¹¾±»å²âÄå and īś±¹²¹°ù²¹ (ईशà¥à¤µà¤�). See also (synonyms): ±¹¾±»å²â±ðÅ›²¹.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) ³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹ (विदà¥à¤¯à¥‡à¤¶à¥à¤µà¤°):—[from ±¹¾±»å²âÄå > vid] m. (with Åšaivas) Name of a class of emancipated beings, [SarvadarÅ›ana-saṃgraha]
2) [v.s. ...] Name of a magician, [DaÅ›akumÄra-carita]
[Sanskrit to German]
Sanskrit, also spelled संसà¥à¤•ृतमà¥� (²õ²¹á¹ƒs°ìá¹›t²¹³¾), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Ishvara, Vidya.
Starts with: Vidyeshvarasamhita.
Full-text (+10): Bhavavidyeshvara, Ekarudra, Ekanetra, Vidyeshvarasamhita, Vishvavidyeshvara, Vidyesha, Shikhandi, Trimurti, Ananta, Trimurtika, Shivottama, Vittiyecuran, Saubhagyavidyeshvarastotra, Sukshma, Shrikantha, Uttama, Ashtavittiyecurar, Mahavidya, Trinetra, Shivapurana.
Relevant text
Search found 24 books and stories containing Vidyeshvara, ³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹, Vidyesvara, Vidya-ishvara, VidyÄ-īś±¹²¹°ù²¹, Vidya-isvara, Vidyeshvaras; (plurals include: Vidyeshvaras, ³Õ¾±»å²â±ðÅ›±¹²¹°ù²¹s, Vidyesvaras, ishvaras, īś±¹²¹°ù²¹s, isvaras, Vidyeshvarases). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Notices of Sanskrit Manuscripts (by Rajendralala Mitra)
Page 84 < [Volume 15 (1911)]
Linga Purana (by J. L. Shastri)
Chapter 47 - Installation of the Liá¹…ga (continued) < [Section 2 - PÅ«rvabhÄga]
Chapter 50 - The abodes of Devas (bhuvanavinyÄsa) < [Section 1 - UttarabhÄga]
Chapter 1 - Introductory < [Section 1 - UttarabhÄga]
Tirumantiram by Tirumular (English translation)
Verse 2232: Who Are the Vijnanakalas < [Tantra Eight (ettam tantiram) (verses 2122-2648)]
Shiva Purana (by J. L. Shastri)
Chapter 1 - Origin of the sacred lore < [Section 7.1 - VÄyavÄ«ya-saṃhitÄ (1)]
Appendix 1 - The five faces of Åšiva (pañcÄnana) < [Appendices]
Shaiva Upanishads (A Critical Study) (by Arpita Chakraborty)
14. The Pañcabrahma Veda Mantra < [Chapter 5 - Essence of Pañcabrahma Upaniṣad]
Agni Purana (by N. Gangadharan)