Havabhava, Hāvab屹: 3 definitions
Introduction:
Havabhava means something in Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionary屹b屹 (हावभाव).—m pl (屹 & b屹) Actions and postures expressive of sentiment; gestures and movements exhibiting the passions: also gesticulation, representation by action generally. Ex. taṃva nētrakaṭākṣa hā0 || dāvitā� nānā lāghava ||. 2 Laxly. Approximating conception or conjecture (of or about a matter future, or distant in place, or unexperienced or unknown). v Ի.
: DDSA: The Aryabhusan school dictionary, Marathi-English屹b屹 (हावभाव).�m pl Actions and postures ex- pressive of sentiment; gesticulation.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Nepali dictionary
: unoes: Nepali-English DictionaryHāvab屹 (हावभाव):—n. blandishments; mannerisms; manner;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
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Search found 3 books and stories containing Havabhava, Hāvab屹; (plurals include: Havabhavas, Hāvab屹s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Manasollasa (study of Arts and Sciences) (by Mahadev Narayanrao Joshi)
7. Dance in Somesvara’s Manasollasa < [Chapter 4 - Fine arts in Manasollassa]
5. Iconography and Images (Pratima) < [Chapter 4 - Fine arts in Manasollassa]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 3: Wandering of Mahāvīra and Gośāla (continued) < [Chapter IV - Mahāvīra’s second period of more than six years]
Brihatkatha-kosha (cultural study) (by Himanshu Shekhar Acharya)