Atmagata, 膧迟尘补驳补迟补, Atman-gata: 9 definitions
Introduction:
Atmagata means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
: archive.org: Natya Shastra膧迟尘补驳补迟补 (啶嗋い啷嵿ぎ啶椸い).鈥擶hen overwhelmed with excessive joy, intoxication, madness, fit of passion, repugnance, fear, astonishment, anger and sorrow, one speaks out words which are in one鈥檚 mind (lit. heart), it is called Speaking Aside (腻迟尘补驳补迟补). This including arguments, is often to be used in plays like the N膩峁璦ka.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary膧迟尘补驳补迟补 (啶嗋い啷嵿ぎ啶椸い).鈥�a. produced in one's mind; 掳啶む 啶え啷嬥ぐ啶ム (to manoratha岣�) 艢.1.
-tam ind. aside (to oneself) being considered to be spoken privately (opp. 辫谤补办腻艣补尘 aloud); frequently used as a stage-direction in dramas; it is the same as 啶膏啶掂啶むぎ啷� (svagatam) which is thus defined; 啶呧ざ啷嵿ぐ啶距さ啷嵿く啶� 啶栢げ啷� 啶う啷嵿さ啶膏啶む 啶むう啶苦す 啶膏啶掂啶む 啶い啶 (a艣r膩vya峁� khalu yadvastu tadiha svagata峁� matam) S. D.6.
膧迟尘补驳补迟补 is a Sanskrit compound consisting of the terms 腻迟尘补苍 and gata (啶椸い).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary膧迟尘补驳补迟补 (啶嗋い啷嵿ぎ啶椸い).鈥攊nd.
(-迟补峁�) Apart, to one鈥檚 self, (in theatrical language.) E. 腻迟尘补苍 and gata gone.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary膧迟尘补驳补迟补 (啶嗋い啷嵿ぎ啶椸い).鈥擺adjective] being connected with or contained in one鈥檚 self; [neuter] [adverb] to one鈥檚 self, i.e. aside ([drama]).
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary膧迟尘补驳补迟补 (啶嗋い啷嵿ぎ啶椸い):鈥擺=腻迟尘补-驳补迟补] [from 膩tma > 腻迟尘补苍] mfn. being on itself, [Mah膩bh膩rata xi, 566] ([edition] [Bombay edition]; See -ruha below)
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpus膧迟尘补驳补迟补 (嗖嗋菠喑嵿伯嗖椸菠):鈥�
1) [adjective] being in or accompanying the soul.
2) [adjective] belonging to one (used reflexively).
3) [adjective] produced in one鈥檚 own mind.
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膧迟尘补驳补迟补 (嗖嗋菠喑嵿伯嗖椸菠):鈥�
1) [noun] an act or instance of talking to oneself.
2) [noun] words spoken by an actor expressing his or her thoughts in such a way that they are heard by the audience but supposedly not by the other actors; soliloquy.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English Dictionary膧迟尘补驳补迟补 (啶嗋い啷嵿ぎ啶椸い):鈥攁dj. internal; subjective;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Starts with: Atmagatam.
Full-text: Atmagatam, Aatmagat, Atmaruha, Apavaritaka, Apavarya, Gam, Prakasha, Svagata.
Relevant text
Search found 14 books and stories containing Atmagata, Atma-gata, 膧tma-gata, 膧迟尘补驳补迟补, Atman-gata, 膧tman-gata; (plurals include: Atmagatas, gatas, 膧迟尘补驳补迟补s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Description of 膧迟尘补驳补迟补 < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]
Description of Apav膩rita and Jan膩ntika < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]
Modes of Addess in a Drama < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]
Jivanandana of Anandaraya Makhin (Study) (by G. D. Jayalakshmi)
Analysis of N膩峁瓂oktis < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 11 - The technical aspects of a Prahasana < [Chapter 3 - Prahasana (critical study)]
Part 13 - Technical Aspects of a N膩峁璦ka < [Chapter 1 - N膩峁璦ka (critical study)]
Part 11 - Technical Aspects of a Vy膩yoga < [Chapter 5 - Vy膩yoga (critical study)]
Abhijnana Sakuntalam (with translation and notes) (by Bidhubhusan Goswami)
Chapter 1: Translation and notes < [Abhijnana Sakuntalam, text and notes]
Chapter 1 - Prathama-anka (prathamo'nkah) < [Abhijnana Sakuntalam, text and notes]
Chapter 5 - Pancama-anka (pancamo'nkah) < [Abhijnana Sakuntalam, text and notes]
Abhijnana Sakuntala (with Katayavema commentary) (by C. Sankara Rama Sastri)
Chapter 5 - Sanskrit text (pancama-anka) < [Abhijnana Sakuntalam, text and commentary]
Chapter 1 - Sanskrit text (prathama-anka) < [Abhijnana Sakuntalam, text and commentary]
Chapter 7 - Sanskrit text (saptama-anka) < [Abhijnana Sakuntalam, text and commentary]
Satirical works of Kshemendra (study) (by Arpana Devi)
7.7. Summary of the Mattavil膩sam < [Chapter 1 - Introduction]