Angika, Āṅg첹, ṅg첹, ṅg, Amgika: 21 definitions
Introduction:
Angika means something in Hinduism, Sanskrit, Buddhism, Pali, Marathi, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstraĀṅg첹 (आङ्गिक) refers to “physical representations� and forms a part of abhinaya (techniques of representation), according to the Nāṭyaśāstra chapter 8. Abhinaya is used in communicating the meaning of the drama (ṭy) and calling forth the sentiment (rasa).
: archive.org: Natya ShastraĀṅg첹 (आङ्गिक, “physical representation�) consists of the use of various gestures and postures of which the Nāṭyaśāstra gives elaborate descriptions. Different limbs have been named and their manifold gestures and movements described, with various significance attached to each one of them.
Āṅg첹 (‘gestures and postures�) is of three kinds, viz.
- that of the limbs (ś),
- that of the face (mukhaja)
- and that related to [different], movements of the entire body (ṣṭṛt) including the Śākhā, the Aṅga and the Upṅg.
Āṅg첹 (आङ्गिक) or ṅgԲⲹ refers to the first of four categories of abhinaya (histrionic representation). Āṅg첹 is an expression through gestures, postures, movements of each part of the body and gait. Abhinaya is the imitation of the thing seen by self or is an expression of sentiment experienced by oneself.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Āṅg첹 (आङ्गिक) or Āṅgikābhinaya refers to one of the four divisions of Abhinaya or “ways to convey or represent one’s emotion to others� (in Sanskrit Drama), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Abhinaya (“acting�) is of four varieties, according to the Viṣṇudharmottarapurāṇa. The ṅg첹-Բⲹ represents the physical movements. This type of acting establishes the importance of gestures and postures in the path of acting.

Natyashastra (नाट्यशास्त्र, ṭyśāstra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
General definition (in Hinduism)
Source: Wisdom Library: A History of Indian PhilosophyĀṅg첹 (आङ्गिक, “gestures and postures�) is a Sanskrit technical term used in plays and dramas (ṭy), as explained in the Nāṭyaśāstra.
Languages of India and abroad
Pali-English dictionary
: BuddhaSasana: Concise Pali-English Dictionaryaṅgika : (adj.) (in cpds:), consisting of so many parts; e.g. duvaṅgika = consisting of two parts.
: Sutta: The Pali Text Society's Pali-English Dictionaryṅg첹, (-°) (adj.) (fr. ṅg) consisting of parts, � fold; only in compn. with num. like aṭṭh°, duv° (see dve), catur°, pañc° etc., q. v. (Page 7)
[Pali to Burmese]
: Sutta: Tipiṭaka Pāḷi-Myanmar Dictionary (တိပိဋက-ပါဠိမြန်မ� အဘိဓာန�)ṅg첹�
(Burmese text): အင်္ဂိကခေါ်သေ� မုရိုးစည်။
(Auto-Translation): The creature commonly known as the dragon.

Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionaryāṅgika (आंगि�).—a S Expressible or expressed by bodily action; gesticulatory or gesticulated--a passion or sentiment. 2 Relating to the body, corporeal.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryṅg (अङ्गिक�).—[ṅgm ācchādayati aṅg-ini svārthe kan, striyā� ṭāp] A bodice or jacket.
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ṅg (अङ्गिक�).—A bodice.
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Āṅg첹 (आङ्गिक).�a. (-ī f.) [अङ्ग निर्वृत्तार्थे-ठक� (ṅg nirvṛttārthe-ṭhak)]
1) Bodily, corporeal.
2) Gesticulated, expressed by bodily actions; आङ्गिकोऽभिनय� (ṅg'Բⲹ�), see अभिन� (abhinaya).
-첹� 1 A player on a tabor or drum.
2) Man's sleeved outer body, garment, a coat reaching below the knees. कश्मीरज- पृषद्वर्षरञ्जितेनाङ्किके� � (kaśmīraja- pṛṣadvarṣarañjitenāṅkikena ca) Śiva. B.21.19.
: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionaryṅg첹 (अङ्गिक).�(-aṅgika), see -aṃśika.
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionaryṅg (अङ्गिक�).—f.
(-) A kind of bodice or jacket. E. ṅg the body and ikan aff.
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Āṅg첹 (आङ्गिक).—mfn.
(-첹�-ī-ka�) 1. Bodily, corporeal. 2. Gesticulated, expressed by bodily action, (dramatic sentiment, passion, &c. exhibited by attitude, gesture, &c.) m.
(-첹�) A player on a tabor or drum. E. ṅg the body, ṻñ aff.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) ṅg (अङ्गिक�):—[from ṅgka > ṅg] a f. a bodice, a jacket, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
2) b See ṅgka.
3) Āṅg첹 (आङ्गिक):—[from ṅg] mfn. expressed by bodily action or attitude or gesture etc. (as dramatic sentiment, passion, etc.), [Sāhitya-darpaṇa] etc.
4) [v.s. ...] a player on a tabor or drum, [cf. Lexicographers, esp. such as amarasiṃha, halāyudha, hemacandra, etc.]
: Cologne Digital Sanskrit Dictionaries: Goldstücker Sanskrit-English Dictionaryṅg (अङ्गिक�):—f.
(-) A bodice or jacket. E. ṅg, taddh. aff. ṻ. See ṅgka.
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary1) ṅg (अङ्गिक�):�() 1. f. A kind of bodice.
2) Āṅg첹 (आङ्गिक):—[(ka�-ī-ka�) a.] Corporeal, gesticulated. m. A drummer.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
: DDSA: A practical Hindi-English dictionaryĀṃgika (आंगि�) [Also spelled aangik]:�(a) pertaining to the body or parts thereof; performed by gesture or through physical features (a category of abhinay); —[abhinaya] acting through physical gestures or movement; —[] physical action.
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Kannada-English dictionary
: Alar: Kannada-English corpusĀṃgika (ಆಂಗಿ�):—[adjective] of, in, by or pertaining to the body.
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Āṃgika (ಆಂಗಿ�):—[noun] a movement or movements collectively, of the body or of a part of the body, by a dancer, to express or emphasize ideas, emotions, etc. ; a gesture.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English DictionaryĀṅg첹 (आङ्गिक):—adj. 1. bodily; corporeal; 2. gesticulated; expressed by bodily actions; 3. organic; partial; constituent;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Starts with: Amgikada, Amgikararha, Amgikararhate, Amgikarisu, Amgikarta, Amgikaya, Angika Sutta, Angika-kyampasa, Angika-nagarikata, Angikaar-garnu, Angikabhinaya, Angikar, Angikara, Angikara-garnu, Angikarana, Angikaranem, Angikaranika, Angikatasiladisampattika.
Full-text (+235): Pancangika, Angikabhinaya, Caturangika, Duvangika, Abhinaya, Atthangika, Lomasakangiya, Ashtangika, Ekangika, Angika-kyampasa, Angika-nagarikata, Angika Sutta, Katangika, Aangik, Vivartana, Avannata, Nirbhugna, Prakampita, Viniguhana, Ulbana.
Relevant text
Search found 26 books and stories containing Angika, Āṅg첹, ṅg첹, ṅg, Amgika, Āṃgika, Anga-ika, Aṅga-ika; (plurals include: Angikas, Āṅg첹s, ṅg첹s, ṅgs, Amgikas, Āṃgikas, ikas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Nṛtta as a division of Āṅg첹-abhinaya < [Chapter 1 - Nāṭya]
Analysis of technical terms: Abhinaya < [Chapter 1 - Nāṭya]
Technical treatises on Nāṭya (other works) < [Chapter 1 - Nāṭya]
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 2.4.56 < [Part 4 - Transient Ecstatic Disturbances (vyābhicāri-bhāva)]
Cosmetics, Costumes and Ornaments in Ancient India (by Remadevi. O.)
2.19. Seasonal Clothing < [Chapter 2 - Costumes]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
3. Four types of Abhinaya < [Chapter 2 - Dance in the Puranas]
5. The concepts of Riti, Vritti and Pravritti < [Chapter 6 - Literature in the Puranas]
9. Natya or Dramaturgy < [Chapter 6 - Literature in the Puranas]
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
1. Abhinayadarpana—the basic layout < [Chapter 3 - Later developments of dramatic techniques]
3. Concept of Abhinaya in general < [Chapter 1 - Introduction]
1. Relevance of Vacikabhinaya < [Chapter 7 - Vacikabhinaya according to Bharata’s Natyasastra]