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Significance of Potter

The concept of "Potter" holds various meanings across different traditions. In Jainism and Tibetan Buddhism, it refers to a craftsman shaping clay into pottery and highlights the metaphor of creation. In Purana, it is linked to the profession of Kumbhakara. Yoga sees the Potter as a master creator, while Vedanta discusses the distinction between the creator's existence and the created object. In India's history, the Potter is portrayed as someone reflecting on past actions and the employer of Mote, further emphasizing the multifaceted role of this figure.1
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Synonyms: Sculptor, Artisan, Craftsman

In Finnish: Potter; In Dutch: Pottenbakker; In Spanish: Alfarero; In German: 罢枚辫蹿别谤; In Malay: Tembikar; In Swedish: Krukmakare; In French: Potier

The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.

Buddhist concept of 'Potter'

Buddhism Books

In Buddhism, "Potter" symbolizes the creator who shapes existence distinctively from the created, illustrating the relationship between an artisan and their craft, serving as a metaphor for the process of creation and subsequent independence of the created form.

Significance in Tibetan Buddhism (Vajrayana or tantric Buddhism):
Tibetan Buddhism Books

From: Tattvasangraha [with commentary]

(1) The individual who creates the jar, whose role is considered separate from the jar's existence post-birth.[1] (2) A craftsman who shapes clay into pots, used here as a metaphor for creation.[2]

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha鈥檚 words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayana) are collected indepently.

Hindu concept of 'Potter'

Hinduism Books

In Hinduism, the term "Potter" represents a profession (Kumbhakara) and symbolizes the master creator utilizing raw materials. It illustrates the complex relationship between cause and effect, emphasizing creativity's dependence on the operative cause鈥檚 intention.

Significance in Vedanta (school of philosophy):
Vedanta Books

From: Brahma Sutras (Shankaracharya)

(1) The person who does not fashion the clay, and vessels would shape themselves even if this person did not put any effort into the process.[3] (2) The potter's existence does not mean the jar exists, illustrating that the relationship between an operative cause and its effect can be different.[4]

From: Chandogya Upanishad (Shankara Bhashya)

(1) An illustrative example used to explain how various products arise from a singular substance, similar to how entities develop from Being.[5]

Vedanta refers to a school of orthodox Hindu philosophy (astika), drawing its subject-matter from the Upanishads. There are a number of sub-schools of Vedanta, however all of them expound on the basic teaching of the ultimate reality (brahman) and liberation (moksha) of the individual soul (atman).

Significance in Yoga (school of philosophy):
Yoga Books

From: Yoga-sutras (with Vyasa and Vachaspati Mishra)

(1) A figure representing the master creator who utilizes raw materials to produce an object, symbolizing the essential role of the cause in creative processes.[6]

Yoga is originally considered a branch of Hindu philosophy (astika), but both ancient and modern Yoga combine the physical, mental and spiritual. Yoga teaches various physical techniques also known as asanas (postures), used for various purposes (eg., meditation, contemplation, relaxation).

Jain concept of 'Potter'

Jainism Books

In Jainism, "Potter" symbolizes a craftsman adept in shaping clay, reflecting the philosophy of creation and transformation, illustrating the importance of skill and artistry in the material world within a spiritual context.

Significance in Jainism (general):

From: Trishashti Shalaka Purusha Caritra

(1) A craftsman who shapes and fires clay to create pottery.[7]

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, 鈥榮elf-reliance鈥�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.

The concept of Potter in local and regional sources

History Books

Potter encompasses multiple roles: a benefactor to Lakhan, Mote's overbearing employer, a remorseful figure acknowledging his misdeeds, and a narrator offering invaluable context to the story's events and themes.

Significance in India history and geography:

From: Folklore of the Santal Parganas

(1) The employer of Mote, who was engaged in pottery and overworked Mote.[8] (2) The man who kept Lakhan in his home because of the wealth he generated by spitting gold.[9]

From: Bhaktavijaya: Stories of Indian Saints

(1) The individual who understood the consequences of his actions and felt remorse for a great wrong he committed.[10]

Significance in South Asia:
South Asia Books

From: Village Folk-tales of Ceylon (Sri Lanka), vol. 1-3

(1) The narrator or an involved character whose perspective provides context to the tale.[11]