Significance of Indian Art
Synonyms: Indian culture, Indian creativity, Hindu art
In Dutch: Indiase kunst; In Finnish: Intialainen taide; In Spanish: Arte indio; In German: Indische Kunst
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Indian Art'
Indian Art in Hinduism encompasses a rich cultural heritage manifested through diverse artistic expressions over five thousand years, particularly flourishing during the Gupta age, and reflects the philosophies of Brahma, Shaiva, and Vaishnava traditions.
From: Vastu-shastra (Introduction to Indian architecture)
(1) A broad term encompassing the diverse artistic expressions in India, especially prominent during the Gupta age, noted for its rich and innovative motifs.[1] (2) The artistic expression and cultural heritage within India, often explored through literature and historical findings.[2] (3) Art that originates from India, which can be found in various regions outside of India.[3]
The concept of Indian Art in local and regional sources
Indian Art encompasses a rich tapestry of cultural expressions, emphasizing historical, spiritual, and philosophical significance. It reflects India's unique artistry through diverse forms, including sculpture, painting, and architecture, showcasing deep emotional connections and traditional techniques.
From: Triveni Journal
(1) Indian Art was a focus for Dr. Cousins, who spread its message through lectures and lantern slides, and he guided schools of painting.[4] (2) Jones dealt with Indian art, and he convincingly established an affinity between Egyptian and African art on the one hand and Indian art on the other. He also stressed the ancient legal system of the Hindus.[5] (3) A form of expression that is idealistic, mystic, symbolic, and transcendental, emphasizing the spiritual and philosophical aspects of artistic creation.[6] (4) Art that reflects deep insights into the spirit and soul of the culture, often explored in essays and portraiture.[7] (5) A broad subject referred to in the context of A. K. Coomaraswamy's scholarship and understanding of various styles and traditions.[8]