Significance of Canto
The term "Canto" refers to major divisions within epic poetry, serving various functions across different texts. In the Arthashastra context, it signifies sections that hold distinct themes or incidents, while in Vaishnavism, it denotes specific chapters of larger works. Kavya emphasizes cantos as narrative divisions that detail events in epic tales like Bhishmacaritam. Vyakarana focuses on cantos as structural elements in poems, like Vasudevavijaya. Lastly, in Indian history, cantos in 'Savitri' and 'Raghuvamsa' capture unique themes and narratives.
Synonyms: Melody, Chant, Tune, Aria, Hymn, Verse, Stanza
In Finnish: Canto; In Spanish: Canto; In Dutch: Zang; In German: Gesang
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Canto'
Canto in Hinduism denotes structured divisions of long poems or epics, organizing significant events and narratives. It facilitates thematic flow and clarity, exemplified in works like Suruparaghava and Magha's 'Shishupalavadha.'
From: Garga Samhita (English)
(1) A specific section or chapter of a larger literary or sacred work.[1]
From: Naishadha-charita of Shriharsha
(1) Sections of the narrative that detail various events and descriptions in the life of Nala and Damayanti.[2]
The concept of Canto in local and regional sources
Canto refers to distinct sections within both the Raghuvamsa, highlighting its nineteen divisions focused on the Raghu lineage, and within the poem 'Savitri', capturing key themes relevant to Savitri's transformative journey.
From: Triveni Journal
(1) The divisions of the Raghuvamsa; a total of nineteen, each featuring distinct narratives and themes related to the lineage of Raghu.[3] (2) Sections of the poem 'Savitri' that encapsulate distinct themes and moments in Savitri's journey, adaptable by Sri Aurobindo throughout his life experiences.[4]