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Essay name: Buddhist iconography in and outside India (Study)

Author: Purabi Gangopadhyay
Affiliation: University of Calcutta / Department of Ancient Indian History and Culture

This work aims to systematically present the development and expansion of Mahayana-Vajrayana Buddhist iconography from India to other countries, such as China, Korea, and Japan. This study includes a historical account of Indian Buddhist iconography and the integration of Brahmanical gods into the Mahayana-Vajrayana phase.

Chapter 4: Japanese Buddhist Iconography (a Comparative Study)

Page:

90 (of 101)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 90 has not been proofread.

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and holding a flag. In the Kalyanasundaramurti of Ellora,
Vayu is represented among the eight Dikpālas.
There are descriptions of Hu-ten in the texts like
Shosetsū-Fudō-ki vol. IX, Karura-ō-Oyobi-shōten Mtugon-Kyö
The first text mentions the
and the Kongō-kai–Sichi-shū.
god as an old man wearing a crown which looks like a bird's
wings and from which hang two tied up strings. The edges
of the crown are curved and held upward. He is wearing
armour. His right hand in fist is holding a banner. The
Karura-0-Ōyobi describes the god as blue in colour and he
is holding banners, while the other text narrates the god
as reddish in complexion and his left hand is in fist and
the right hand holds a banner, In one of the representa-
tions (Pl.XXX Fig.1. ) Hu-ten is depicted as an old man,
riding on a deer or antelop (which is the vähana of Vayu
in India also). He holds a banner in his right hand.
From very early Indian literature also we get the
informations of Vayu. Both the Mahābhārata and the Rāmāyaṇa
describe the god as father of Bhima and of Hanumāna, the
monkey hero, respectively. Other texts of Brahmanical
literature describe the god as two-armed. Generally he has
banner in his right hand and a staff in his left hand,
He sits on the lion throne or Simhāsana. The god is
variously described in Rupamandana and other Brahmanical
texts.
In Japan, there are some important representations

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