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Essay name: Tilakamanjari of Dhanapala (study)

Author: Shri N. M. Kansara
Affiliation: Maharaja Sayajirao University of Baroda / Department of Sanskrit Pali and Prakrit

This is an English study of the Tilakamanjari of Dhanapala, a Sanskrit poem written in the 11th century. Technically, the Tilaka-manjari is classified as a Gadyakavya (“prose-romance�). The author, Dhanapala was a court poet to the Paramara king Munja, who ruled the Kingdom of Malwa in ancient west-central India.

Chapter 16 - The Tilakamanjari as a Sanskrit novel

Page:

86 (of 138)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 86 has not been proofread.

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meeting with Tilakamañjarī at the temple of Lord Rsabha (pp.
360-366); Mahodara stopping Gandharvaka's aeroplane and cu-
rsing him (pp.381-383); the Vidyadhara couple completing
for committing suicide by falling first from the precipice
(pp.397-398); the goblins trying to hinder Harivāhana as he
sat steadily propitiating the mystic Vidyās (pp.399�400);
and the Maharsi imparting religious instruction to an audi-
ence (pp.406-413).
(D) RETROSPECT or
SUMMARY:-
Dhanapala has employed the technique of retros-
pect on a number of occasions with various intentions, such
as, to keep the audience abreast of the story related upto
a point, to draw the attention of the audience to the skill
displayed by him in, or the purpose served by, a particular
device or description, and to enhance the curiosity by pos-
ing new questions relating to the missing links in the story
and thereby setting their imagination to work. We have al-
ready noted these instances in the fifteenth chapter under
the discussion on Suspense testifying to the poet's narra-
tive skill. We shall notice here some of them in the light
of the technique of Retrospect.
The following instances are noteworthy in this respect:
(i) The whole passage comprising the questions posed
by Samaraketu to Gandharváka (pp.223,20ff.) reminds the

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