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995
in his K膩dambari, and equally sparingly in, but most signi-
ficantly and mostly in the beginning of each of his chapters
of, the Har峁�acaritam. Dhanapala has revived Subandhu's con-
vention in maintaining in general the ratio of the number
of verses in relation to the prose of his n narrative.
Apart from fifty-three introductory verses, he has
interspersed his prose narrative with as many as forty-seven
verses in not less than sixteen metres, some of them in the
Prakrit ones, as can be seen from Appendix D.
Dhanap膩la is the first author of Sanskrit prose-zaman
TEX -romance to utilize Prakrit metres like M膩tr膩 and Pa-
ddha岣峣k膩 for composing Sanskrit verses, which comprise the
prayers addressed to Jain Tirthankaras; this was pointed
out by Dr, H.C.Bhajani long back. This is in keeping with
the Jainistic aspect of the subject of the prayer. It is
noteworthy, in passing,
382 Dahan abanga in find that Bhoja has quoted only three
verses, and Hemacandra one less, from Dhanap膩la's TM, which
his
17 fact testify to their high regard for poetic genius.ng
Dhanap膩la utilizes the medium of verse with a defini-
viz.,
te purpose in view, to express concentrated emotions:鈾�
Sometimes his verses sum up a running description or a mo-
ing situation, as in the verses beginning with '
啶膏�嵿か啷佮�� 啶︵�囙い啶�
[sphura det膩
] etc.,(p.16,6ff.), or in '忙冒脤脧脹T
f foot
etc.,
(23,1ff.), or in faufa faza farart
啶掂た啶�啶距さ啶班ザ�
- [惫颈产丑腻惫补谤墨
- ] etc., (28,19) ;
382.cf.MIA Miscellany, Bharatiya Vidya,Ekaxan April, 1945.