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Essay name: Paumacariya (critical study)

Author: K. R. Chandra
Affiliation: Research institute of Prakrit, Jainology and Ahimsa Vaishali

This is a critical study of the Paumacariya: the earliest Jain version of Rama's life story, written in Prakrit by Vimalasuri dating to the 4th century AD. In this text, Rama (referred to as Padma) is depicted with lotus-like eyes and a blooming face. The Paumacariya places emphasis on the human aspects of characters rooted in Jain values, contrasting with the divine portrayal in Valmiki’s version.

Page 308 of: Paumacariya (critical study)

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External source: Shodhganga (Repository of Indian theses)


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SOURCES, CONTRIBUTION AND INFLUENCE OF PCV. 279 The Paumacariya� has its originality in re-establishing the fact
that Sītā was the daughter of Janaka born of his wife. In the
Mahābharata she is mentioned as 'Janakasya ātmajā' (MB, 3. 274.9),
but in the absence of any reference to the mother of Sītā this ‘ātmajā'
term is not safe enough for concluding that Sītā was the legitimate
daughter of Janaka. Similar is the case with the references in the VR
such as 'duhitā Janakasya' (3. 47. 3), Janakātmajā' (5. 13. 15) etc.
There are references in the Raghuvamsa such as 'duhitṛśulka' (11. 38),
'Maithilī (11.93), 'Videhādhipate� suta' (12.26), in the Adhyatma
Rāmāyaṇa as ‘mayātmajā' (1.6.20) and so forth in the Padmapurāṇa also,
but in all these works she is clearly said to be born of the furrow. In the
Vasudevahindi also Sītā is called Janayataṇayā (I. p. 242), but there
she is the legitimate daughter of Rāvaṇa and Mandodari. Therefore,
it is Vimalasūri who tells us in very clear terms that Sītā was the
daughter of Janaka and his wife and thus removes all doubts about her
birth.
The Paumacariya� has further preserved a historical element in
telling us that Sītā had a brother.
About the Rākṣasas and the Vanaras the Paumacariya� has
preserved some semi-historical material in stating that they were some
original tribes of south India.
Having not given prominent place to many supernatural ele-
ments which had grown around the original Rāma-kathā in later
times, Vimalasūri has preserved some realistic traits of the story.
these supernatural elements the most important ones are the strange
birth of Sita; episode of golden deer; Rāvana as a ten-headed monster;
Kumbhakarna, a diabolical character; the Rākṣasas as demons; the
Vānaras as animals and Hanumat as a super-being.
Vimalasūri has assigned respectable place to Rāvaṇa, the hero of
an aboriginal tribe and thus has voiced tolerance for other races. �
Rama's and Lakṣmaṇa's various marriages with the girls belonging to
different races convey a message of tolerance and free racial miscege-
nation, though the ideal of monogamy emphasised in the Valmiki
Rāmāyaṇa has been obliterated.
He has further removed the shortcomings of the characters like
Rāma, Lakṣmaṇa, Vāli and specially Kaikeyī and has elevated
them.
He made Rāma-story popular among the Jainas by creating
Jaina environment around it and by assigning Rāma, Lakṣmaṇa and
Rāvana a respectable place among the sixty-three illustrious persons of
the Jaina faith.

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